Künstlerische und theoretische Positionen zu Reproduktion und Kommunikation, Geschlecht und Gattung, Adressierung und Empfängnis.

Netzhammers raffiniert präzise Bildrhetorik eröffnet ein subtiles Spiel, das dem Betrachter jede Lesart erlaubt und ihm diese sogleich widerlegt.

Is it even possible to create swarms artificially – to produce them as art?

Today, it has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity.

Is it idolatrous to say that objects are themselves lively, that they have capacities to affect and be affected?

Atmospheres are ontologically puzzling: a surplus, a not really there, an in-between state, a feeling that is somehow nowhere.

If sensory perception of the world takes place prior to all consciousness, one might ask, finally, what this “prior to consciousness” means – is it an unconscious or rather a non-conscious?

Feelings are operative at every scale of process from the most minimal (atomic processes) to the most maximal (geophysical change).

“Lifestyle must conform to the above-named circles of persons or be easily adapted,” “artistic talent,” “strong general education.”

This issue explores practices of human and non-human substitution.

Thérèse ayant douleurs menstruelles could be a beginning.