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Arts

Antonin Artaud, Stephen Barber (ed.)

Artaud’s Last Unpublished Work

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Foreword by John Zorn.

poetry
autobiography
avant-garde
literature
poetry
Modernism

Fiction

Fatal Conjunctions

Everything is connected to everything else, says Lenin, as do the finance gurus…

discourse
art
contemporary culture
art criticism
literature
contemporary art

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

motherhood
contemporary art
body
mother figure
gender
poetry

Humanities

Hauke Branding (ed.), Julian Volz (ed.)

Theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

Postcolonial Studies
contemporary art
desire
queer theory
contemporary art
orientalism

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

father figure
mother figure
body
contemporary art
aesthetics
feminism
queer theory
gender
motherhood

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Hauke Branding (ed.), Julian Volz (ed.): Radical Desires

Kevin B. Lee (ed.): The Future of Survival

Allison Grimaldi Donahue: The History of Breathing

Autofiction—Metafiction

Monograph

“Obsessed with buffering”

In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy ("Remainder", "C", "Satin Island")... ABO

Tom McCarthy

Recessional—Or, the Time of the Hammer

Monograph

Born too late to see the war, too soon to forget it.

Why this past? Why is this past mine? A past which I did not even know?

Reiner Schürmann

Origins

Article

»The camera is my »exosomatic extension‹.«

But how can an art in the name of the specific be the lingua franca of globalized art? OPEN
ACCESS

Gertrud Koch, Michael Lüthy, Bernhard Schieder, Allan Sekula

A Walk With Allan Sekula Through His Exhibition

Article

Why this past? Why is this past mine? A past which I did not even know? 

Born too late to see the war, too soon to forget it. Rocked by events which I didn’t experience.

Reiner Schürmann

How I Learned to Clench My Fists

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

OPEN
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music
philology

Current Texts

The Disobedience of the Word

“He always read Priam instead of ‘prime’.”

OPEN
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Current Texts

On Memory Atrophy

How can we remember the way we used to remember? OPEN
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Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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New releases

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

Arts

The Architecture of Disaster

Before & After

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

History is increasingly presented as a series of catastrophes. The most common mode of this presentation is the before-and-after image—a juxtaposition of two photographs of the same place, at different times, before and after an event has taken its toll. Buildings seen intact in a “before” photograph have been destroyed in the one “after.” Neighborhoods bustling with activity in one image are in ruins or under a layer of foulwater in the next. Deforestations, contaminations, melting icebergs and drying rivers...

war
History of photography
photographic images
photography
forensic science

Arts

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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Arts

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
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performance
body
Africa
ceremony
ritual
spiritism
colonialism
feminism

Arts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
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colonial history
sculpture
contemporary art
colonialism
museum
Africa

Authors

Books

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Mathilde Arnoux (ed.), Maria Bremer (ed.): Westkunst, 1981

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Kieran Aarons (ed.), Reiner Schürmann, ...: The Place of the Symbolic

Fiction

All that pent up terror and rage

Dodie Bellamy

Plague Widow

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

Driving to the Castro, Bee Reaved feels hyper emotional, as she often does in the car, Nick Cave’s Ghosteen on repeat, and she thinks—this is what it’s like to live without hope. Six months after Kevin’s death, friends left her to fare for herself. Other widows warned her this would happen, that everybody would disappear before she was ready. One widow she no longer talks to said, “Wait and see, you’re going to have a total breakdown.” Now, with the...

OPEN
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Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

A. L. Kennedy

When it all burns you’ll know – a writer was there at the first… ABO DE FR

Johannes Binotto

Where words are uttered, the taming is shrewed. OPEN
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Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

OPEN
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Fiction

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
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Discourse

Peter Ott

Around 2007 I had the idea of making a feature film about a German woman who is kidnapped in Iraq. It was supposed to be a chamber piece, shot on two intradiegetic cameras. ABO DE

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

Sina Dell’Anno

The rebellion of the signifiers against their semantic taming OPEN
ACCESS DE

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Discourse

Marie Glassl, Sophie Lewis

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

family
social movements
community
motherhood
critique of neoliberalism
communism
birth

Discourse

Simon Critchley

Punk’s raptures are mystical.

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer.

ABO

Authors

Books

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Humanities

A dialogue that doesn’t cover up its traces

David Graeber

Anarchy—In a Manner of Speaking

Anarchism is about the possibility of a crowd becoming smarter.

There’s endless literature on the mob or “the madness of crowds”, and most people do assume that any kind of crowd is necessarily going to be, collectively, stupider than any one of the individuals that make it up. That’s why most people accept the legitimacy of authoritarian leadership. If this were really true, it stands to reason that if you took even any one random person out of the crowd and made that person dictator, the crowd would make better...

FR DE

political theory
anarchy
resistance
community
anarchism

Humanities

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Andreas L. Hofbauer

The yoke of being, noteworthy dis-position

Anyone inclined to describe hunters and gatherers as poor, would be advised to understand them as free. OPEN
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Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved. ABO DE

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
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Humanities