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Jurij Pavlovich Annenkov

A Diary of my Encounters

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall.

Evreinov was occupied with the spectacle’s theatrical, dramaturgical side. Due to its immense size, the production was directed collectively: Evreinov was the director-in-chief, followed by Kugel, Petrov, Derzhavin, and myself. I also designed the scenery and the costumes. My stage sets spanned the entire width of Palace Square and reached up to the third floor of the General Staff. They consisted of two huge platforms (a White and a Red one), connected by a steep bridge. There were around 8,000...

ABO

Current Texts

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Current Texts

Dieter Mersch

Digital disrupture

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

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ritual
ceremony
spiritism
colonialism
Africa
body
performance
feminism

Magazine Online

The Subject of Capitalism

Monograph

Von der Diktatur des Marktes über die Gesellschaft

Ein eindringliches, bestens informiertes und wichtiges Buch. Christian Marazzi liefert in Verbranntes Geld eine innovative Analyse der Finanzökonomie, die heute die Wirtschaftskreisläufe in ihrer Gesamtheit durchdringt. Die globale Krise des Finanzkapitalismus ist nicht etwa eine unproduktive oder parasitäre Abweichung auf dem Weg zu mehr Wachstum. Im Gegenteil, es offenbart sich...

Christian Marazzi

Verbranntes Geld

Monograph

Zur Herrschaft der Finanzialisierung

Seit dem Zusammenbruch der Banken im Jahr 2008 scheint der Kapitalismus in eine Phase anhaltender Stagnation sowie geopolitischer und monetärer Instabilität eingetreten zu sein. Das Szenario, das sich vor unseren Augen abspielt, lässt an eine Art »Sozialismus des Kapitals« denken: Der Staat, der die Bedürfnisse der »Finanzsowjets« sichert, erlegt der...

Christian Marazzi

Sozialismus des Kapitals

Monograph

Mad Men, Death and the American Dream

Matthew Weiner’s series Mad Men is more than a resonant time capsule. Elisabeth Bronfen’s claim is that the show not only thrives on a significant double voicing, reviving the literature, film, music and fashion of the past within and for the cultural concerns of the present. With Don Draper an...

Elisabeth Bronfen

Mad Men, Death and the American Dream

Anthology

The Question of Cohabitation

What is the current state of the subject and what about the status of its self-image? In contemporary discourses we... OPEN
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Kerstin Stakemeier (ed.), Susanne Witzgall (ed.)

Fragile Identities

Topics

minima oeconomica
Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung
- financial crisis
- financial markets
- economy
- economics
- discourse history
- economization
Autofiction—Metafiction
- Theory of fiction
- autofiction
- fiction
- autobiography
- memory

Current Texts

Malte Fabian Rauch

Camouflaged with a visual language

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?”

ABO

Current Texts

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

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science fiction
communication
utopia
linguistics
semiotics and semiology
communication media

Current Texts

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Books

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Tom McCarthy: Recessional—Or, the Time of the Hammer

Maria Zinfert (ed.): Kracauer. Fotoarchiv

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Essays on Photography by Siegfried Kracauer

Siegfried Kracauer, Philippe Despoix (ed.), ...

The Past's Threshold

There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...