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Humanities

The Dance of All Things
The Dance of All Things

Georges Didi-Huberman, Laurent Mannoni, ...

Movements of Air

It would be futile to resist the feeling that the marvelous curls of smoke, photographed by Étienne-Jules Marey between 1899 and 1901, first elicit from us. We have the impression of witnessing a pure beauty in the process of making, unmaking, and remaking itself incessantly before our eyes. It is a supreme flow—images of flow and a flow of images all at once—from which approximately fifty instants have been randomly “drawn,” all formed differently and likewise admirable. Such simple beauty...
  • history of media
  • History of photography
  • artistic research
  • history of science
  • photography
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Topics
  • Observing the Spectator

    Observing the Spectator

    • observer
    • gaze
    • mirror
    • optical illusion
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • semiotics and semiology
    • chromatics / colour science
    • monochrome
    • image and imagery
    • color
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • potentiality
    • literary studies
    • poetics
    • experiment
    • idleness
    • ignorance and non-knowledge
    • poetology of knowledge
    • astonishment
    • epistemology
    • history of knowledge
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • economization
    • discourse history
    • economics
    • financial crisis
    • financial markets
    • economy
Current Texts
Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • transhumanism
  • realism
  • postmodernism
  • artistic practice
  • re-enactment
  • art theory

 

The Moses complex’s place is exile.
The Moses complex’s place is exile.

Ute Holl

Introduction

The unkind and inhuman God of Moses in Exodus reveals himself as a terrifying media agent. This is why the Moses figure insistently returns in the arts and sciences of the twentieth century. It corresponds to the fact that the media initially remain concealed when new laws come in with them. When Moses climbs the mountain, the tablets on which the caesuras of writing will turn out to be there already, while the people are still camping in the desert,...
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  • Arnold Schönberg
  • exile
  • Danièle Huillet
  • community
  • Jean-Marie Straub
Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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  • contemporary art
  • morals
  • political aesthetics
  • aesthetics
  • critical theory