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Art

About ‘how we treat the others’

Artur Zmijewski

Conversation on “Glimpse”

“There is something deeply humiliating in such a situation.”

Glimpse shows us scenes filmed in various places. How long did you stay at these places? Was it already known that Calais would be cleared when you started the project? We spent more than one month filming in Berlin, Calais, Grande-Synthe (the suburb of Dunkirk), and Paris. Yes, it was announced that the French administration was going to “clear” the Jungle in Calais. It was also quite obvious that refugees would be removed from the streets of Paris. Such places, like...

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ethics
documenta
contemporary art
gift
concentration camp

Current Texts

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Current Texts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

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Current Texts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

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Africa
contemporary art
sculpture
museum
colonial history
colonialism

Magazine Online

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

THINK ART? THINK ART!

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Topics

The Subject of Capitalism
- subjectification
- capitalism
- cognitive capital
- migration
Observing the Spectator
- mirror
- gaze
- observer
- optical illusion
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- semiotics and semiology
- chromatics / colour science
- image and imagery
- color
- monochrome
Autofiction—Metafiction
- autofiction
- Theory of fiction
- autobiography
- fiction
- memory

Current Texts

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

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music
philology

Current Texts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

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identity
human–animal communication
performance art
Video art

Current Texts

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Books

Antonin Artaud, Stephen Barber (ed.): The Human Face and Other Writings on His Drawings

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Empty Diagonal

Mehdi Belhaj Kacem, Antoine d’Agata

Diagonale du vide

A ghostly France: Emptiness and explosiveness behind the lines.

“If there is an artist capable of making these vacuums speak, it is d’Agata. To show what is not visible, to make present what can not be represented. There is a visual 'spectralism' about Antoine. It is about recording the spasms of humanity that is committing suicide, which has access to all the information needed to know what it is doing, and yet does nothing to revert the trend. We documented this suicide during a week of shared driving, of...