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»The camera is my »exosomatic extension‹.«
Gertrud Koch, Michael Lüthy, ...
A Walk With Allan Sekula Through His Exhibition
Gertrud Koch: We would like to start by discussing the different narrative forms you have chosen for the titles of your series, like »story«, »fable« or »tale«: how would you differentiate between stories and fables, and what autobiographical narratives are involved here? Is it a kind of metanarrative, is it a composing of different narrative moments?
Allan Sekula: Very often my titling a particular work has an idiomatic logic: Fish Story has a vernacular resonance, particularly in American English where a...
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Anthology
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)
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Jelili Atiku, Damian Christinger
Mama Say Make I Dey Go, She Dey My Back
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Between global and local ecologies
Liliana Gómez (ed.), Fabienne Liptay (ed.)
Eco-operations
What is euphemistically called climate change, or more directly climate crisis, has already become part of both aesthetic discourses and critical research perspectives in culture and the arts. Yet, until recently, the focus has mainly been on the representation of the prevalent ecological relationships and cycles, or on the impact on the environment and contemporary society. Increasingly, however, future-oriented, ecologically conceived potentialities of artistic actions are being explored by new alliances of artists, curators, activists, scholars, and other actors of...
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