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A coffin to bury the statues of the ancestors
Clémentine Deliss
The Repatriation of the White Cube
I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo. But as I found out on a recent visit to Lusanga in DRC, it is precisely the complexity and radical ambiguity of the enterprise that provides it with both artistic as well as socio-economic and political relevance. The work operates across several registers, each with its own context and syntax, be it within farming or art. What really convinces me is the equity...
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Jelili Atiku, Damian Christinger
Mama Say Make I Dey Go, She Dey My Back
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Anthology
Zu einer Poetik des Seriellen
Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)
Noch einmal anders
Monograph
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)
The Cube and the Face
Anthology
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)
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Time Probe Zero Synthesis
DIAPHANES MAGAZINE No. 3
Where is the present when the computer pulses at the wrist every day, when we’re globally interconnected in real time but don’t take in our selves for a single moment, just bits and pieces, just snatching a few intensities, when neurons plus communication already makes a consciousness? Is it nothing but a hallucination, in permanent crisis? Does it stand still, get wider, poorer?
How does the past change when systems record every second, saving them for the right moment or for...
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