Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Simon Critchley
Learning to Eat Time with One’s Ears
Donatien Grau
A Life in Philology
Donatien Grau, James Spooner
Afropunk Philology
Felix Stalder
Feedback as Authenticity
Barbara Basting
Der Algorithmus und ich 7
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Mengia Tschalaer
Queer Spaces
Zoran Terzić
The Tautomaniac
Barbara Basting
Der Algorithmus und ich 6
Sandra Frimmel
I Hate the Avant-garde
Mehdi Belhaj Kacem
Tomb for Guy Debord
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Sina Dell’Anno
Oratio Soluta
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Barbara Basting
Der Algorithmus und ich 5
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
A.K. Kaiza
An Annotated History of Wakanda
Barbara Basting
Der Algorithmus und ich 4
Jean-Luc Nancy
Zah Zuh
Wolfgang Plöger
After This Comes That Before That Comes This
Maël Renouard
The Twilight of Classification?
Dietmar Dath
Your Sprache Never Was
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Diane Williams
Bang Bang on the Stair
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Jurij Pavlovich Annenkov
A Diary of my Encounters
Bruce Bégout
The Man from Venice
Artur Zmijewski
Conversation on “Glimpse”
Ute Holl
Dream, Clouds, Off, Exile
Beni Bischof
LISTMANIA: BIG BUGS
Hendrik Rohlf
Richard Prince (Book)
Facebook’s picture tumbler is currently reminding me of my first visit to China a year ago. I was impressed: so...
Facebook’s algorithm has served up memories of my Turkish travels often enough, but now it’s taking countermeasures and suddenly presenting...
I sit in the lobby of a hotel in China where I am accommodated along with other guests of an...
Facebook recently wanted to make merry with me. To this aim it posted an entry on my notice board, which...
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.