Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Johanna Went
I remember (Johanna Went)
Sina Dell’Anno
Punk / Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Donatien Grau
A Life in Philology
Barbara Basting
Der Algorithmus und ich 7
Mengia Tschalaer
Queer Spaces
Claire Fontaine
Towards a Theory of Magic Materialism
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Zoran Terzić
The Tautomaniac
Mehdi Belhaj Kacem
Tomb for Guy Debord
Sandra Frimmel
I Hate the Avant-garde
Barbara Basting
Der Algorithmus und ich 6
Barbara Basting
Der Algorithmus und ich 7
Johannes Binotto
Shrewing the Tame
Sina Dell’Anno
Oratio Soluta
Andreas L. Hofbauer
Yoke
Hans Block, Moritz Riesewieck
What we don’t see
A.K. Kaiza
An Annotated History of Wakanda
Barbara Basting
Der Algorithmus und ich 7
Jochen Thermann
The Assistant Chef
Dietmar Dath
Your Sprache Never Was
Barbara Basting
Der Algorithmus und ich 3
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Stephen Barber
A War of Fragments: World Versus America
Marcus Quent
Elapsing Time and Belief in the World
Ann Cotten
Dialogs
Bruce Bégout
The Man from Venice
Mário Gomes
The Poetics of Architecture
Artur Zmijewski
Conversation on “Glimpse”
Dorothee Scheiffarth
THE MOST BEAUTIFUL CLOUD NAMES
Donatien Grau, Pierre Guyotat
Conversation
Blixa Bargeld
LISTMANIA: ABT. DIE DUEMMSTEN BERLINER FRISÖRNAMEN
Facebook’s algorithm has served up memories of my Turkish travels often enough, but now it’s taking countermeasures and suddenly presenting...
I sit in the lobby of a hotel in China where I am accommodated along with other guests of an...
I noticed this pattern for fingernail decoration four years ago in the window of a “nail studio” in Salisbury, south-west...
Facebook recently wanted to make merry with me. To this aim it posted an entry on my notice board, which...
L’œuvre d'art n’a pas d’idée, elle est idée
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.