Volker Pantenburg: Originary Research Work. The Periodical Filmkritik and Its Publics

Originary Research Work. The Periodical Filmkritik and Its Publics
(p. 146 – 165)

p€ 9,95

Originary Research Work. The Periodical Filmkritik and Its Publics

PDF, 20 pages

public sphere
art education
publishing
digital culture
cultural practice
contemporary art

Volker Pantenburg

Volker Pantenburg is a Professor of Film Studies at the University of Zurich since 2021, after having held positions at the University of Münster, the Bauhaus-University Weimar, and the Freie Universität Berlin. In 2015, he co-founded the Harun Farocki Institute. He is currently directing the SNSF project “Paranational Cinema – Legacies and Practices” (2024–2027). His most recent book is Einfachheit ohne Vereinfachung. Zur Praxis Harun Farockis (Zurich: diaphanes, 2024).

Other texts by Volker Pantenburg for DIAPHANES

Digitaler Realismus. Pedro Costas dokumentarische Fiktionen
In: Dirck Linck (ed.), Michael Lüthy (ed.), Brigitte Obermayr (ed.), Martin Vöhler (ed.), Realismus in den Künsten der Gegenwart

p€ 9,95
Was Farocki lehrt
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 11

pOpen access
Eine originäre Forschungsarbeit. Die Zeitschrift Filmkritik und ihre Öffentlichkeiten
In: Sigrid Adorf (ed.), Sønke Gau (ed.), Basil Rogger (ed.), going public.

p€ 9,95

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

b€ 30,00 p€ 30,00

Sigrid Adorf (ed.), Sønke Gau (ed.), Basil Rogger (ed.)

going public.
creating visibility in the field of art

Softcover, 228 pages

PDF, 228 pages

Content

6–15

Introduction

Sigrid Adorf, Sønke Gau, ...

pOpen access
16–35

Making Public/s. Imaging and Imagining Art Audiences

Eva Kernbauer

p€ 9,95
36–45

The Commune in Presentist Democracy

Isabell Lorey

p€ 7,95
46–69

“Who’s Going to Pick Up the Garbage on Monday Morning?” Maintenance and Reproductive Aesthetics

Maria Muhle

p€ 14,95
70–83

Grey, Green, Gold and Red. Preface

Uriel Orlow

p€ 9,95
84–89

On Grey, Green, Gold and Red

Margarida Brito Alves

p€ 7,95
90–119

The Private Desk. When the Personal Becomes Visible, Language Becomes Public

Tine Melzer

p€ 14,95
120–135

Inside the Public. Gabriela Löffel’s Insights into Private Usage of Public Economy Spaces

Sigrid Adorf

p€ 9,95
136–145

Structurally Blocked Bellows. Periodicals that Bridge the Gaps Between the Art Field and Social Movements

Jens Kastner

p€ 7,95
146–165

Originary Research Work. The Periodical Filmkritik and Its Publics

Volker Pantenburg

p€ 9,95
166–185

Don’t Breathe Normal: Read Souffles!

Marion von Osten

p€ 9,95
186–193

Books as Objects and Deferred Use-Value Promises in Art

Stephan Geene

p€ 7,95
194–205

Bookness in the Arts. A Dialectical History of Urgent Publishing Experiments

Geert Lovink

p€ 9,95
206–215

The Server is the Campfire. Feminist Critique of Infrastructure, Communality and the Cultural Paradigm of Circulation in Digital Infrastructures

Shusha Niederberger

p€ 7,95
216–225

Self-observation

Dirk Baecker

p€ 7,95

Topics

diaphanes Berlin

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

User account

In: Dirck Linck (ed.), Michael Lüthy (ed.), Brigitte Obermayr (ed.), Martin Vöhler (ed.), Realismus in den Künsten der Gegenwart

In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 11

In: Sigrid Adorf (ed.), Sønke Gau (ed.), Basil Rogger (ed.), going public.

6–15

Sigrid Adorf, Sønke Gau, ...

16–35

Eva Kernbauer

36–45

Isabell Lorey

46–69

Maria Muhle

70–83

Uriel Orlow

84–89

Margarida Brito Alves

90–119

Tine Melzer

120–135

Sigrid Adorf

136–145

Jens Kastner

146–165

Volker Pantenburg

166–185

Marion von Osten

186–193

Stephan Geene

194–205

Geert Lovink

206–215

Shusha Niederberger

216–225

Dirk Baecker