I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Donatien Grau
A Life in Philology
Simon Critchley
Learning to Eat Time with One’s Ears
Sina Dell’Anno
Punk / Philology
Kai van Eikels
Do in What's Doing, Democracy in!
Zoran Terzić
The Grand Generalization
A. L. Kennedy
What is an Author?
Felix Stalder
Feedback as Authenticity
Mehdi Belhaj Kacem
Tomb for Guy Debord
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Sandra Frimmel
I Hate the Avant-garde
Zoran Terzić
The Tautomaniac
Barbara Basting
Der Algorithmus und ich 7
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Barbara Basting
Der Algorithmus und ich 5
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Jean-Luc Nancy
Zah Zuh
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
A.K. Kaiza
An Annotated History of Wakanda
Barbara Basting
Der Algorithmus und ich 7
Manuel Franquelo
An interview with Manuel Franquelo
Stephen Barber
A War of Fragments: World Versus America
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Wolfgang Plöger
After This Comes That Before That Comes This
Stephen Barber
Futurama Nights, October 1978
Eric Baudelaire
Abecedarium
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Bruce Bégout
The Man from Venice
Artur Zmijewski
Conversation on “Glimpse”
Dorothee Scheiffarth
THE MOST BEAUTIFUL CLOUD NAMES
Blixa Bargeld
LISTMANIA: ABT. DIE DUEMMSTEN BERLINER FRISÖRNAMEN
Beni Bischof
LISTMANIA: BIG BUGS
Jean-Luc Nancy
Je me souviens (Jean-Luc Nancy)
K.A.
Hermal
Kommt ein Polizist zu einem Mann, der beschuldigt wird, seinen kleinen Sohn zu Tode geschüttelt zu haben. Wie ist denn das passiert?, will der Polizist wissen. So!, gibt der Mann...
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in Tod...
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
L’œuvre d'art n’a pas d’idée, elle est idée
Vonceptually sensory bills of fare, enumerations and selections…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.