However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall.
U-Bahn-Station Altes Landgut (U1)
HMKV im Dortmunder U
Nationalgalerie im Hamburger Bahnhof – Aktionsraum
Sozialismus des Kapitals
Die falsche Münze unserer Träume
The contemporary seems to be a rare animal that can rotate on its own neck and exhibit different faces…
The contemporary seems to be a rare animal that can rotate on its own neck and exhibit different faces, depending on whether we think of it as a given or an uncertain achievement, as an empty, abstract, deceptive present or a springboard into the past and the untimeliness of creation. But if the contemporary is indeed Janus-faced, even the sadness of an encounter with its emptiness, with the semblance of radicalism, must still relate to the excitement of leaping into “now time” or starting to write. Is the present not necessarily empty and therefore always a cause for sadness, also in the case when, in acquiring the sense, or developing the instinct, that is required to venture into the past’s “now time,” we begin to depart from it? In one of his last letters to a young poet, dating from 1904, Rilke distinguishes between two forms of sadness, or rather...
If sensory perception of the world takes place prior to all consciousness, one might ask, finally, what this “prior to consciousness” means – is it an unconscious or rather a non-conscious?
If sensory perception of the world takes place prior to all consciousness, one might ask, finally, what this “prior to consciousness” means – is it an unconscious or rather a non-conscious? Who is dancing when dancers dance? Who is moving when bodies process stimuli? For Freud, the notion of the drive was a transitional concept bridging the divide between the somatic and the mental. I think that today, for various reasons, it is possible to replace the notion of the drive with that of affect to obtain a similarly transitional concept. But as I explain in my theory of the affective dispositif, this concept is one that no longer follows the movement of desire (for the Other) but which, with a focus on movement, interval, and plasticity, leads to surprising parallels (synchronizations) between the socio-political and the somatic. In this context, the “not-yet-movement” of affect often mentioned here can be understood...
Do migrants develop more restless, mobile identities in general? Is language particularly essential with regard to finding identity?