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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

history of architecture
memory
Israel
Middle East

Fiction

To lay a hand on the shoulder of future victims…

»By using voices I have rediscovered what we call humanity.«

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

mother figure
motherhood
body
contemporary art
gender
poetry

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

propaganda
intelligence sercive
Russia
analytics of power

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

queer theory
mother figure
body
gender
contemporary art
aesthetics
father figure
feminism
motherhood

News + Events

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Autofiction—Metafiction

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Article

Why this past? Why is this past mine? A past which I did not even know? 

Born too late to see the war, too soon to forget it. Rocked by events which I didn’t experience.

Reiner Schürmann

How I Learned to Clench My Fists

Article

“I fled Europe as one flees one’s parents’ house“

I recognize that lobby. The Washington Hilton. Men in business suits are crammed in there by the thousands. American philosophers meeting for a convention. A compact assembly of thinkers. Thirty-five hundred of them, Newsweek published the figure. The eastern division of the American Philosophical Association. I make a tour of...

Reiner Schürmann

How I Try to Sell Myself to the Americans

Monograph

“Obsessed with buffering”

In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy ("Remainder", "C", "Satin Island")... ABO

Tom McCarthy

Recessional—Or, the Time of the Hammer

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
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music
time
media theory
reading
electronic music

Current Texts

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

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colonial history
colonialism
contemporary art
Africa
museum
sculpture

Current Texts

Ute Holl

“Communism will be when we understand something of love.” OPEN
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Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
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“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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So many egoists call themselves artists…

Words are human things; a great obscurity saturates them… OPEN
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Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

sound
film
contemporary art
art

Arts

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Arts

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

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music
philology

Arts

Tyler Coburn

The future has never looked older

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall.

ABO

Authors

Books

Alex Arteaga (ed.): Architectures of Embodiment

Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?

Georges Didi-Huberman, Laurent Mannoni, ...: Movements of Air

Antonin Artaud, Stephen Barber (ed.): “Here Lies” preceded by “The Indian Culture”

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Fiction

All that pent up terror and rage

Dodie Bellamy

Plague Widow

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

Driving to the Castro, Bee Reaved feels hyper emotional, as she often does in the car, Nick Cave’s Ghosteen on repeat, and she thinks—this is what it’s like to live without hope. Six months after Kevin’s death, friends left her to fare for herself. Other widows warned her this would happen, that everybody would disappear before she was ready. One widow she no longer talks to said, “Wait and see, you’re going to have a total breakdown.” Now, with the...

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Fiction

Raphaëlle Milone

Old-school publisher, avant-garde dandy, undisputed expert on the global history of Dada: Raphaëlle Milone paints an intimate but unsparing portrait of a man who belonged perhaps to a dying breed but is still remembered vividly. ABO FR

Johannes Binotto

Where words are uttered, the taming is shrewed. OPEN
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Jochen Thermann

I really should not have hired him…

Waldemar—well, that was not actually his name… ABO DE FR

Ann Cotten

The last philosopher. The zen-queen.

In what way are you a communist – since we need to define this. OPEN
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Fiction

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember?

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

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Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

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war
war experience

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
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Discourse

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Would communication beyond the semiosphere be conceivable? OPEN
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Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Sylvia Sasse

“Lifestyle must conform to the above-named circles of persons or be easily adapted,” “artistic talent,” “strong general education.” OPEN
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Discourse

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

OPEN
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Discourse

Marie Glassl, Sophie Lewis

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

communism
birth
family
motherhood
critique of neoliberalism
social movements
community

Authors

Books

Liza Mattutat (ed.), Roberto Nigro (ed.), ...: What’s Legit?

Elisabeth Bronfen: Mad Men, Death and the American Dream

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Humanities

"Curriculum Vitae in Pictures“

Maria Zinfert (ed.)

Kracauer. Photographic Archive

The book tells the story of Lili and Siegfried Kracauer’s close working relationship – from the early 1930s following their marriage in Germany, to exile in Paris and the war and post-war years in the USA.

Kracauer. Photographic Archive presents largely unknown material from the estate of the German-American theorist of film and photography, Siegfried Kracauer and his wife and assistant Elisabeth, known as Lili. The single and group portraits, still lifes, street scenes and landscapes collected in this book all come from the estate of Siegfried Kracauer. Published here for the first time, they are an extensive and representative selection from the enlargements, contact sheets and rolls of film originally archived by Lili Kracauer. With...