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Arts

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

body
mother figure
contemporary art
motherhood
gender
poetry

Fiction

Marion Muller-Colard, Clémence Pollet

Let’s find the stage of human affairs

“A story worth telling is a story with spectators to judge it.”

ethics
responsibility
theatre / drama
young readers
acting
Evil
shoah
thinking

Discourse

Liliana Gómez (ed.), Fabienne Liptay (ed.)

Between global and local ecologies

Eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future

ecology
artistic practice
global ecology

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

intelligence sercive
Russia
analytics of power
propaganda

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

father figure
queer theory
feminism
contemporary art
mother figure
body
aesthetics
motherhood
gender

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

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Art, Magazine, Books

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New releases

Haus der Kulturen der Welt (ed.): Deberlinization

Haus der Kulturen der Welt (ed.): Deberlinisierung

Giuseppe Di Salvatore (ed.), Fabienne Liptay (ed.): The Sirenic: Follow the Water, Follow the Sound

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

The Subject of Capitalism

Article

Complicity in Spectatorship

The special case of lustful murdering soldiers of King Herod and the introduction of spectators on frescos by Giotto and pulpits by the Pisani are at the core of this contribution, which poses the question: How is cruelty visualized in Italy around 1300? The introduction of detached spectators in opposition...

Beate Fricke

Complicity in Spectatorship

Article

Con Artist Don Draper, the archetypical American hero

At the very moment when the black figure falls through the vintage snap shots the loss of world seems complete.

Elisabeth Bronfen

The American Dream—A Game of Confidence

Article

Complexifying the Subject of Interest

We are enjoined to rational choice. We are taught that our freedom is one with the freedom of choice. We are told we become who we are by how we choose. We are assured that if we choose well, according to our own best interests, we will end up serving... OPEN
ACCESS

Brian Massumi

The Market in Wonderland

Monograph

Mad Men, Death and the American Dream

Matthew Weiner’s series Mad Men is more than a resonant time capsule. Elisabeth Bronfen’s claim is that the show not only thrives on a significant double voicing, reviving the literature, film, music and fashion of the past within and for the cultural concerns of the present. With Don Draper an...

Elisabeth Bronfen

Mad Men, Death and the American Dream

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

social movements
community
critique of neoliberalism
family
birth
motherhood
communism

Current Texts

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

OPEN
ACCESS

Current Texts

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
ACCESS

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

film
art
contemporary art
sound

Arts

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
ACCESS

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
ACCESS

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
ACCESS DE

Arts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

OPEN
ACCESS

human–animal communication
performance art
identity
Video art

Arts

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
ACCESS DE FR

music
electronic music
reading
media theory
time

Authors

Books

Dieter Mersch: Epistemologies of Aesthetics

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Antonin Artaud, Stephen Barber (ed.): Radio Works: 1946–48

Antonin Artaud, Stephen Barber (ed.): Artaud the Mômo

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Fiction

“Obsessed with buffering”

Tom McCarthy

Recessional—Or, the Time of the Hammer

Towards the end of Thomas Pynchon’s mammoth 1973 novel Gravity’s Rainbow, the stumbling ingénue of a hero Tyrone Slothrop sets off on a commando raid. The territory he and his cohorts move through is a giant metropolis, a “factory-state” in which capital, technology and power, perfectly co-calibrated, send airships drifting through urban canyons, past chrome caryatids and roof-gardens on skyscrapers that themselves shoot up and down on elevator-cables: a conurbation Pynchon calls the “City of the Future” or “Raketen-Stadt.” The...

ABO

conversation
fiction
literature
Modernism
literary studies

Fiction

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember? OPEN
ACCESS

Dodie Bellamy

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats. OPEN
ACCESS

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

OPEN
ACCESS

Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Would communication beyond the semiosphere be conceivable? OPEN
ACCESS

Barbara Basting

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure. ABO DE

Felix Stalder

Subjectivation and Authenticity

It is human selection that turns a machine selection that is meaningless because of its compilation criteria into a (potentially) meaningful narrative. ABO DE

Discourse

Simon Critchley

Punk’s raptures are mystical.

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer.

ABO

Discourse

Sina Dell’Anno

The Disobedience of the Word

“He always read Priam instead of ‘prime’.”

OPEN
ACCESS DE

Authors

Books

Maria Zinfert (ed.): Kracauer. Photographic Archive

Eyal Weizman, Ines Weizman: Before & After

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Gertrud Koch: Breaking Bad, Breaking Out, Breaking Even

Humanities

We need more planetary dimensions!

Rosi Braidotti

Nomadic Subjects

The project of feminist nomadism for a European thinker implies a relationship to multiple languages.

My life-long engagement in the project of nomadic subjectivity rests on a specific cartography of our globalised times, marked by large-scale and technologically-mediated transformations of our social, economic and political universes. I start from the assumption that, as a result of these upheavals, traditional forms of self-representation, familiar cultural points of reference and age-old habits of thought are being re-composed, albeit in contradictory ways. Our historical context is marked by the schizoid structure of technology-driven advanced capitalism, as Deleuze and Guattari...

OPEN
ACCESS DE

identity
Europe
feminism
capitalism
globalization

Humanities

Alexander García Düttmann

Can contemporary theatre recognize itself in the boxing ring so that its fist, the fist of the past, strikes a forceful and violent blow? ABO DE

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved. ABO DE

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Humanities

Nothing is at home

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

ABO

phenomenology
Modernism
art
aesthetics
art theory

Humanities

Sandra Frimmel

Why should this be art?

What does it mean?

I Hate the Avant-Garde. When an artist as self-ironic and self-reflective as Yuri Albert makes such a statement about art, then skepticism is called for. Like his overall series Elitist-Democratic Art, the title deliberately plays with simple affirmations and negations, and at the same time exhibits the inherent receptive dilemma of the series: a (large) part of the artistically trained viewers see these shorthand works as abstract forms, without understanding the text, and only the few who can read (Russian) shorthand perceive a text, which for them doesn’t necessarily have to be art. I Hate the Avant-Garde was created in 2017, after a sketch made in 1987 in reaction to a changed situation in the reception of nonconformist art. With the beginning of perestroika, unofficial art that had hitherto been excluded from the state-run art scene—that is, from the official infrastructure of museums and exhibition spaces, and from art scholarship...

ABO DE