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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

Israel
Middle East
memory
history of architecture

Fiction

About a Coronation Cloak from Ethiopia

“The dead will shelter the living. They will find us once we have named them one by one”.

public sphere
museum

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

mother figure
motherhood
gender
poetry
contemporary art
body

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

analytics of power
intelligence sercive
propaganda
Russia

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

gender
feminism
motherhood
aesthetics
body
mother figure
contemporary art
queer theory
father figure

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

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New releases

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Maaza Mengiste: Of Interest to the General Public

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

The Subject of Capitalism

Article

We need more planetary dimensions!

My life-long engagement in the project of nomadic subjectivity rests on a specific cartography of our globalised times, marked by large-scale and technologically-mediated transformations of our social, economic and political universes. I start from the assumption that, as a result of these upheavals, traditional forms of self-representation, familiar cultural points... OPEN
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Rosi Braidotti

Nomadic Subjects

Article

Complexifying the Subject of Interest

We are enjoined to rational choice. We are taught that our freedom is one with the freedom of choice. We are told we become who we are by how we choose. We are assured that if we choose well, according to our own best interests, we will end up serving... OPEN
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Brian Massumi

The Market in Wonderland

Article

Multiples, Authorship and the Eighteenth-Century Portrait Bust’s Aura

Using the example of the portrait bust as a genre, this paper will explore the ambiguous and problematic relationship between aura and the multiple in the eighteenth century. During this period the portrait bust emerged as an ambitious mode of representation, assuming close attention on the part of the viewer...

Malcolm C. Baker

Multiples, Authorship and the Eighteenth-Century Portrait Bust’s Aura

Article

The endless array of merchandise

In contemporary capitalism, subjectivity is the product of a mass industry organized on a global level. For Félix Guattari this is actually the first and most important of capitalist productions, because it preconditions and is part of production in all other forms of merchandise. Subjectivity is a ‘key merchandise,’ which... ABO

Maurizio Lazzarato

The Production of Subjectivity

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
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reading
electronic music
time
music
media theory

Current Texts

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
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National Socialism
political aesthetics
gift
ethics
Poland
concentration camp
contemporary art
propaganda
documenta
migration

Current Texts

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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A. L. Kennedy

When it all burns you’ll know – a writer was there at the first… ABO DE FR

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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So many egoists call themselves artists…

Words are human things; a great obscurity saturates them… OPEN
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Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

film
sound
art
contemporary art

Arts

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Arts

Elena Vogman

Ornamentation is the body of our thought

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

OPEN
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Arts

Eric Baudelaire

A for Anomie

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game.

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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Authors

Books

Alex Arteaga (ed.): Architectures of Embodiment

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Liliana Gómez (ed.): Performing Human Rights

Fiction

Jiji-Crycry

Antonin Artaud, Stephen Barber (ed.)

“Here Lies” preceded by “The Indian Culture”

Me, Antonin Artaud, I am my son, my father, my mother, and me.

The two poetic works collected together here as Here Lies preceded by Indian Culture were created as a partly improvised vocal performance dictated during one session on 25 November 1946, based on provisional notes, and transcribed by Artaud’s collaborator Paule Thévenin at Artaud’s pavilion in Ivry-sur-Seine. The two works together form one of the outstanding experiments of Artaud’s final period. Those two works were published in one volume in Paris on 20 January 1948 by the small poetry publisher K...

literature
avant-garde
poetry
drugs

Fiction

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember? OPEN
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Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Angelika Meier

Your story begins with a tunnel.

The lost cause is the only one worth fighting for. OPEN
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Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
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war experience
war

Fiction

Dodie Bellamy

All that pent up terror and rage

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

OPEN
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Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
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Discourse

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Would communication beyond the semiosphere be conceivable? OPEN
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Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
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Discourse

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Discourse

Marie Glassl, Sophie Lewis

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

communism
social movements
birth
family
community
critique of neoliberalism
motherhood

Authors

Books

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Alexander Kluge, Joseph Vogl: Soll und Haben

Antonin Artaud, Stephen Barber (ed.): Artaud 1937 Apocalypse

Humanities

“Every human body is an old civilization”

Susanne Witzgall

“Every human body is an old civilization”

Do migrants develop more restless, mobile identities in general? Is language particularly essential with regard to finding identity?

Susanne Witzgall: One common point in your texts in that both of you describe migration as an incomplete process, as a practice that is not completed with the arrival at the destination, but perhaps even only finds its starting point, its beginning, there. For instance, you Christian Kravagna, have written in your essay that many migrants develop a practice of travelling back and forth, almost like commuting, a process in which there is no definitive home that one can return...

ABO DE

Humanities

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Marcus Quent

Belief in the world is what we most lack.

Is it possible to regain a lost belief? Is it possible to do as we will with belief? OPEN
ACCESS DE

Sylvia Sasse

“Lifestyle must conform to the above-named circles of persons or be easily adapted,” “artistic talent,” “strong general education.” OPEN
ACCESS DE

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Humanities

Felix Stalder

Subjectivation and Authenticity

It is human selection that turns a machine selection that is meaningless because of its compilation criteria into a (potentially) meaningful narrative.

ABO DE

Humanities

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟

Etrange (غریب) در زبان فرانسوی از ریشه لاتین extraneus به معنای «خارجی» در برابر داخلی intraneus است. آنچه از خانه نیست unheimlich (امر غریب) از heim (خانه) نیست از منزل نیست در طرف دیگر دروازه fores است foreigner (خارجی)، خارج از ضرب و زیادی است odd (زاید) ناهنجار نامعمول نادر کمیاب تکی است seltsam (عجیب) عجیب و غریب besherat رشید ظریف پراوهام خمیده‌‌ verschroben (بد خو) خمیده شگفت‌ آور خارق‌ العاده حیرت‌ انگیز

غنای زبان امری غریب است در کلماتی که به نحوی حولِ مفهومِ غریبِ خارجی ausländer شکل گرفته اند خارج از کشور «هم‌‌ کشور ما» همانگونه که پیش‌ تر در فرانسه می‌ گفتیم «این کشور من است» برای اشاره به کسی از روستای من محله‌ ی من استان من ولایت من