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Arts

Visual Theorization of Value

A phantom that has haunted the imagination of many filmmakers, historians, and writers to the present day,

film theory
cinematography
cinema
culture industry
Karl Marx

Fiction

Jean Paul Mongin, François Schwoebel

Of what can I be truly certain?

doubt
religion
mind-body problem
young readers
subjectivity
thinking
certainty
epistemology
dream
Descartes

Discourse

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

contemporary art
ethics
gift
propaganda
Poland
migration
documenta
National Socialism
concentration camp
political aesthetics

Humanities

"Curriculum Vitae in Pictures“

The book tells the story of Lili and Siegfried Kracauer’s close working relationship – from the early 1930s following their marriage in Germany, to exile in Paris and the war and post-war years in the USA.

Paris
exile
1950s
archive
photography
1930s
Siegfried Kracauer
portrait
20th century
biography
History of photography
photographic images
collection

Magazine

Authenticity and Feedback

DIAPHANES 8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip.

literature
authorship
discourse
art

Magazine Online

News + Events

Stefan Burger:<br>Anschnitt Jso Maeder<br>Ausstellung Espace DIAPHANES Zürich

Stefan Burger:
Anschnitt Jso Maeder
Ausstellung Espace DIAPHANES Zürich

diaphanes_net

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

THINK ART? THINK ART!

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Article

I’m not really sure what is and what isn’t theory.

Elisabeth Bronfen Tom, our idea here was that you would give us a little insight into how you find your themes, how you use theory for your texts. T.MC. I’m not really sure what is and what isn’t theory. I don’t really know where theory stops and fiction begins. If you take someone... ABO

Tom McCarthy

“Something that is not nothing”

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Monograph

“Obsessed with buffering”

In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy ("Remainder", "C", "Satin Island")... ABO

Tom McCarthy

Recessional—Or, the Time of the Hammer

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
ACCESS DE FR

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them… OPEN
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Malte Fabian Rauch

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” ABO

New releases

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Eduardo Jorge de Oliveira: Invented Skins

Wolfgang Brückle (ed.), Fred Truniger (ed.): Display, Distribute, Disrupt

Arts

One plus one equals other

Dieter Mersch

Epistemologies of Aesthetics

For an aesthetic mode of thought beyond the “linguistic turn”

We identified ‘showing’—rather than ‘saying’—as the primary self-manifestation of the aesthetic. By ‘showing’ and ‘manifestation’ we do not mean expression, but exhibition and exposition. Wherever works work only with aisthēta and relevance is drawn from perceptions or things and their materiality—from every nuance of coloring, from the way in which objects are framed or combined, from the position of a detail, from the interval between two notes and their microtonal succession or arrhythmic placement, from any hesitation of physical feeling,...

artistic research
Think Art
epistemology
aesthetics
discourse analysis

Arts

Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Arts

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

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spiritism
Africa
performance
body
ceremony
feminism
colonialism
ritual

Arts

Donatien Grau, Pierre Guyotat

To lay a hand on the shoulder of future victims…

»By using voices I have rediscovered what we call humanity.«

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Authors

Fiction

Jiji-Crycry

Antonin Artaud, Stephen Barber (ed.)

“Here Lies” preceded by “The Indian Culture”

Me, Antonin Artaud, I am my son, my father, my mother, and me.

The two poetic works collected together here as Here Lies preceded by Indian Culture were created as a partly improvised vocal performance dictated during one session on 25 November 1946, based on provisional notes, and transcribed by Artaud’s collaborator Paule Thévenin at Artaud’s pavilion in Ivry-sur-Seine. The two works together form one of the outstanding experiments of Artaud’s final period. Those two works were published in one volume in Paris on 20 January 1948 by the small poetry publisher K...

poetry
drugs
avant-garde
literature

Fiction

Julien Maret

Track the clouds

heal slowly… when the deed is done… when coming back is nowhere… we slide our hands through sloping fountains… ABO

The abandonment of the centrality of the subject

Donatien Grau

Philology keeps it possible to open a space for the minority. OPEN
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Jochen Thermann

I really should not have hired him…

Waldemar—well, that was not actually his name… ABO DE FR

Axel Dielmann

“Can you imagine something like that?”

The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits… OPEN
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Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

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Fiction

Tom McCarthy

Ecstasy of inauthenticity

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’.

The question of authenticity and I go back some way; we’re old sparring partners – frenemies. It’s been a fraught relationship, shot through with paradox and misconstruing. My first novel, Remainder, does turn around its protagonist’s obsession with becoming ‘real’, inhabiting his era or his city, building, skin, movements and gestures in a ‘first-hand’ or ‘authentic’ way, an obsession which he carries to the point of murder. Yet the pleasure of seeing this book receiving glowing press reviews that praised it for its ‘originality’ and ‘true’-ness was tinged with an awareness of something being odd or ‘off’, since Remainder is in fact the most un-original of novels, a novel about non-originality and simulacra that’s quite blatantly composed of set tropes and constructed situations reprised and, only slightly modified, replayed from sources ranging from Ballard’s Crash and Beckett’s Godot back to Sterne’s Tristram Shandy (Uncle Toby’s domestic re-stagings of battle terrains)...

ABO DE

contemporary literature
psychoanalysis
identity
Jacques Lacan

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

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Discourse

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Ute Holl

“Communism will be when we understand something of love.” OPEN
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Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
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Discourse

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

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Discourse

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

cinema
film d'auteur
Evil
film
contemporary art

Authors

Books

Gertrud Koch: Breaking Bad, Breaking Out, Breaking Even

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Humanities

The Dance of All Things

Georges Didi-Huberman, Laurent Mannoni, ...

Movements of Air

“The excessive leaps of our gaseous form around a halt...”

It would be futile to resist the feeling that the marvelous curls of smoke, photographed by Étienne-Jules Marey between 1899 and 1901, first elicit from us. We have the impression of witnessing a pure beauty in the process of making, unmaking, and remaking itself incessantly before our eyes. It is a supreme flow—images of flow and a flow of images all at once—from which approximately fifty instants have been randomly “drawn,” all formed differently and likewise admirable. Such simple beauty...