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Arts

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

contemporary art
gender
body
motherhood
mother figure
poetry

Fiction

Specters of the Avant-garde

DIAPHANES 6/7 stellt sich ins harte Licht ästhetischer Trauer, träumt von einer Nachhut der Vielen, konjugiert Vergangenes im Futur 2.

photography
France
contemporary literature
contemporary art
Modernism
avant-garde

Discourse

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

Israel
history of architecture
memory
Middle East

Humanities

"Curriculum Vitae in Pictures“

The book tells the story of Lili and Siegfried Kracauer’s close working relationship – from the early 1930s following their marriage in Germany, to exile in Paris and the war and post-war years in the USA.

Siegfried Kracauer
20th century
portrait
photography
collection
biography
archive
History of photography
Paris
1930s
photographic images
exile
1950s

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

feminism
father figure
motherhood
body
mother figure
contemporary art
queer theory
aesthetics
gender

Magazine Online

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Karin Gludovatz, Matthias Warstat, ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Marcia Sá Cavalcante Schuback (ed.), David Payne (ed.): Breaking Grounds

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Choreographing multitudes

Anthology

Social Media—New Masses

Mass gatherings and the positive or negative phantasms of the masses instigate various discourses and practices of social control, communication, and community formation. Yet the masses are not what they once were. In light of the algorithmic analysis of mass data, the diagnosis of dispersed public spheres in the age...

Inge Baxmann (ed.), Timon Beyes (ed.), Claus Pias (ed.)

Social Media—New Masses

Article

Computer Games and the Distraction Economy

Digital culture promises a business model that oscillates between blockbusters and niche products. This model leads to upheavals in the market that directly affect, for instance, the quality and availability of computer games. Just as we rely on cognitive models in our interactions with individuals, our understanding of complex social... ABO

Peter Krapp

Between the Madness and the Wisdom of Crowds

Article

The Politics and aesthetics of participation

New forms of political participation formulate themselves in the public sphere. They are in most cases performed fully aware of the ambivalence, power and vulnerability of the body: in demonstrations or the occupation of buildings, street crossings or train tracks, in chaining themselves to buildings, suspending themselves from bridges or... ABO

Gabriele Klein

The (Micro)Politics of Social Choreography

Article

Zombies, Panic Prevention, Crowd Simulation

Calculating disasters today means to coalesce empirical data of past catastrophies, observational data of mass events, and the computer-based experimentation and scenario-building with virtual ABM models of realistic agents and spatial environments. It thus combines analytical and synthetic approaches, supported by advanced visualization techniques, in the areas of crowd simulation,... ABO

Sebastian Vehlken

After Affects

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

OPEN
ACCESS

Video art
identity
human–animal communication
performance art

Current Texts

Ute Holl

Dream, Clouds, Off, Exile

“Communism will be when we understand something of love.”

OPEN
ACCESS

exile
communism
monotheism
Karl Marx
film

Current Texts

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
ACCESS DE

Would communication beyond the semiosphere be conceivable? OPEN
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Kim Gordon

Where do you go when you disappear? OPEN
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Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Arts

The Architecture of Disaster

Ines Weizman, Eyal Weizman

Before & After

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

History is increasingly presented as a series of catastrophes. The most common mode of this presentation is the before-and-after image—a juxtaposition of two photographs of the same place, at different times, before and after an event has taken its toll. Buildings seen intact in a “before” photograph have been destroyed in the one “after.” Neighborhoods bustling with activity in one image are in ruins or under a layer of foulwater in the next. Deforestations, contaminations, melting icebergs and drying rivers...

war
History of photography
photography
photographic images
forensic science

Arts

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
ACCESS

To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
ACCESS DE FR

Arts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
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colonial history
museum
sculpture
colonialism
contemporary art
Africa

Arts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Authors

Books

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

Alex Arteaga (ed.): Architectures of Embodiment

Georges Didi-Huberman, Laurent Mannoni, ...: Movements of Air

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

Fiction

To end GOD’S JUDGEMENT

Antonin Artaud, Stephen Barber (ed.)

Radio Works: 1946–48

Everything must be arranged to a hair in a fulminating order.

Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...

radio
literature

Fiction

A. L. Kennedy

When it all burns you’ll know – a writer was there at the first… ABO DE FR

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember? OPEN
ACCESS

I.V. Nuss

The seahorse is the chosen metaphor for pregnant trans men ABO DE

Ann Cotten

The last philosopher. The zen-queen.

In what way are you a communist – since we need to define this. OPEN
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Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
ACCESS

war
war experience

Fiction

Dodie Bellamy

All that pent up terror and rage

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

OPEN
ACCESS

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
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Discourse

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
ACCESS

Discourse

A.K. Kaiza

Black Panther is an American, not an African story

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts.

OPEN
ACCESS DE

Discourse

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
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ritual
performance
feminism
body
Africa
spiritism
colonialism
ceremony

Authors

Books

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Liza Mattutat (ed.), Roberto Nigro (ed.), ...: What’s Legit?

Gertrud Koch: Breaking Bad, Breaking Out, Breaking Even

Humanities

Ornamentation is the body of our thought

Elena Vogman

Dynamography, or Andrei Bely’s Rhythmic Gesture

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

The experience of the Russian Revolution transformed both the perception and the epistemic notion of time. It challenged artistic and scientific modes of production with the invention of new models of temporality. Nonlinear, morphological, and materialist models of time seemed to correspond more precisely to the irruptive event of the revolution. These echoed more the new political constellation than a historicist or purely philosophical notion of a homogeneous time as a condition a priori to any experience. New theories in...

OPEN
ACCESS

Humanities

Ines Kleesattel

Thérèse ayant douleurs menstruelles could be a beginning. OPEN
ACCESS DE

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved. ABO DE

Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Humanities

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody
is avant-garde—or nobody.

In the late nineteenth century Alfred Jarry created a prototype of the modern wannabe in his pot-bellied Père Ubu, a figure that raises entitlement to a high art. Ubu doesn’t want to be king; others urge him to it. But he is also the others. And when he does become king, CEO, or US president, he doesn’t know what it means, or if it means anything at all. He just states his claim. And so he shimmies from statement to power. And having obtained power, Ubu decerebrates the world, exposing the grounds for groundlessness, to paraphrase Ortega y Gasset. Ubu is a tautomaniac, that is, he can be explained in his own terms and is thus always in the right (being in the right is all he is). He needs no proof, but on the contrary wants “to turn the absurd into the highest power of thought” (Deleuze & Guattari)....

OPEN
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Humanities