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Born too late to see the war, too soon to forget it.
  • National Socialism
  • childhood
  • trauma
  • primal scene
  • homosexuality
  • autobiography
  • 1968
  • identity
  • past
  • post-war period
  • post-war generation
  • emigration
  • memory
  • youth
  • migration
Other Topics
Current Texts

Ute Holl

Dream, Clouds, Off, Exile

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  • communism
  • exile
  • film
  • Karl Marx
  • monotheism
­Pioneering!
­Pioneering!

Manuel Franquelo

An interview with Manuel Franquelo

There are almost no publications about him, for a painting he takes a whole year, for his photographic works he develops the hardware himself, and the software along with it, and he has only exhibited twice in his entire career. The trained engineer is involved in large projects on facsimileing and 3D reproduction for museums, but his skill is largely applied to his own slowly and brilliantly developing work. Manuel Franquelo is an artist of unusual radicalism, both in the autonomy...
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Arts

Eric Baudelaire

A for Anomie

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

 

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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When life’s hard, time’s a motherfucker going slow
When life’s hard, time’s a motherfucker going slow

Soham Gupta

Angst

Through the grayness of this concrete city, streams of tin-box vehicles flow ahead languidly – and like at a river’s delta, distributaries of little hatchbacks and dented yellow taxis branch off from the main road, spreading in varied directions. From your roof, you can see the whole city, you can feel it’s pulse – yet, there is such a strange silence around you, it’s as if the noise below is far, far away, so far that you are actually longing...
Fiction

Maël Renouard

On Memory Atrophy

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

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Digital disrupture
Digital disrupture

Dieter Mersch

Digital Criticism

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...
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How can withdrawal be represented?
How can withdrawal be represented?

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...

On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

How can withdrawal—meaning either that which withdraws itself, or which is being withdrawn—be represented, thus made visible and negotiable? This publication takes this paradox as its starting point, which remains present as a tension throughout. The book aims to draw constellations of different instances of withdrawal, ranging from passivity, failure, and refusal to disappearance and remembrance and to resilience and resistance. Understanding withdrawal as a concept that encompasses both cutting ties and reaffirming relations, the contributions collected here trace the...
  • contemporary art
  • artistic practice
  • protest movements
  • resistance
Humanities

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

Etrange (غریب) در زبان فرانسوی از ریشه لاتین extraneus به معنای «خارجی» در برابر داخلی intraneus است. آنچه از خانه نیست unheimlich (امر غریب) از heim (خانه) نیست از منزل نیست در طرف دیگر دروازه fores است foreigner (خارجی)، خارج از ضرب و زیادی است odd (زاید) ناهنجار نامعمول نادر کمیاب تکی است seltsam (عجیب) عجیب و غریب besherat رشید ظریف پراوهام خمیده‌‌ verschroben (بد خو) خمیده شگفت‌ آور خارق‌ العاده حیرت‌ انگیز

غنای زبان امری غریب است در کلماتی که به نحوی حولِ مفهومِ غریبِ خارجی ausländer شکل گرفته اند خارج از کشور «هم‌‌ کشور ما» همانگونه  که پیش‌ تر در فرانسه می‌ گفتیم «این کشور من است» برای اشاره به کسی از روستای من محله‌ ی من استان من ولایت من

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