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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

Middle East
Israel
memory
history of architecture

Fiction

About a Coronation Cloak from Ethiopia

“The dead will shelter the living. They will find us once we have named them one by one”.

public sphere
museum

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

mother figure
poetry
contemporary art
motherhood
body
gender

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

analytics of power
intelligence sercive
Russia
propaganda

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

father figure
mother figure
motherhood
aesthetics
gender
contemporary art
body
feminism
queer theory

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

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New releases

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

THINK ART? THINK ART!

Monograph

“Obsessed with buffering”

In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy ("Remainder", "C", "Satin Island")... ABO

Tom McCarthy

Recessional—Or, the Time of the Hammer

Article

I’m not really sure what is and what isn’t theory.

Elisabeth Bronfen Tom, our idea here was that you would give us a little insight into how you find your themes, how you use theory for your texts. T.MC. I’m not really sure what is and what isn’t theory. I don’t really know where theory stops and fiction begins. If you take someone... ABO

Tom McCarthy

“Something that is not nothing”

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

OPEN
ACCESS

Current Texts

Hurrah!

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall.

ABO

Current Texts

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

Pierre Guyotat

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G. OPEN
ACCESS

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

New releases

Maaza Mengiste: Of Interest to the General Public

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Naomi Boyce (ed.), Matthias Grotkopp (ed.), ...: Digital Interventions

Beate Söntgen (ed.), Katharina Tchelidze (ed.), ...: Scenes of the Avant-Garde

Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

sound
art
contemporary art
film

Arts

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
ACCESS DE

Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
ACCESS

Arts

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
ACCESS DE

colonialism
feminism
spiritism
ritual
ceremony
performance
body
Africa

Arts

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Authors

Books

Eduardo Jorge de Oliveira: Invented Skins

Georges Didi-Huberman, Laurent Mannoni, ...: Movements of Air

Maria Zinfert (ed.): Kracauer. Fotoarchiv

Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Sabine Gebhardt Fink (ed.), Andrej Mircev (ed.): Revolving Documents—Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Fiction

Yes, magic exists!

Antonin Artaud, Stephen Barber (ed.)

A Sinister Assassin

from myself / to myself / who is it that comes / and who is it that goes?

Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...

avant-garde
poetry
autobiography
literature
Modernism

Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember? OPEN
ACCESS

Kim Gordon

Where do you go when you disappear? OPEN
ACCESS

Angelika Meier

Your story begins with a tunnel.

The lost cause is the only one worth fighting for. OPEN
ACCESS DE

Fiction

Dodie Bellamy

All that pent up terror and rage

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

OPEN
ACCESS

Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

Marcus Quent

Critical thought that amounts to nothing more than questioning given positions, in negotiating existing conflict between parties, is none. OPEN
ACCESS DE

Kai van Eikels

There is no responsibility-bearing demos without participation in political action. OPEN
ACCESS DE

Discourse

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

OPEN
ACCESS

utopia
semiotics and semiology
science fiction
linguistics
communication
communication media

Discourse

Sina Dell’Anno

The Disobedience of the Word

“He always read Priam instead of ‘prime’.”

OPEN
ACCESS DE

Authors

Books

Alexander Kluge, Joseph Vogl: Soll und Haben

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Gertrud Koch: Breaking Bad, Breaking Out, Breaking Even

Humanities

Il testo ignoto è una promessa

Michele Pedrazzi

The Next Bit. Corpo a corpo con l’ignoto

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

Immaginiamo di trovarci al cospetto di un “oggetto semiotico” ignoto. Potrebbe trattarsi di un dipinto, di un brano di letteratura, di un pezzo musicale, di un programma informatico, di un artefatto culturale in senso lato: poco importa al momento, ciò che ci interessa è il carattere di estraneità di questo oggetto, di cui ignoriamo al momento tutto. Attardiamoci per un attimo in questo limbo interpretativo. Nella realtà, questa sorta di tabula rasa sostanzialmente non esiste, ogni oggetto ci arriva già...

OPEN
ACCESS DE FR

media theory
reading
music
time
electronic music

Humanities

Jean-Luc Nancy

Ζένοι και Zah και Zuh

αποξενωμένοι αποκλίνοντες από ποιο αόρατο οικείο; OPEN
ACCESS FR FA DE

Mengia Tschalaer

“The sexual asylum story is everything,” OPEN
ACCESS DE

The abandonment of the centrality of the subject

Donatien Grau

Philology keeps it possible to open a space for the minority. OPEN
ACCESS FR

Sylvia Sasse

“Lifestyle must conform to the above-named circles of persons or be easily adapted,” “artistic talent,” “strong general education.” OPEN
ACCESS DE

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
ACCESS DE

Humanities