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Art

»The camera is my »exosomatic extension‹.«

Gertrud Koch, Michael Lüthy, ...

A Walk With Allan Sekula Through His Exhibition

But how can an art in the name of the specific be the lingua franca of globalized art?

Gertrud Koch: We would like to start by discussing the different narrative forms you have chosen for the titles of your series, like »story«, »fable« or »tale«: how would you differentiate between stories and fables, and what autobiographical narratives are involved here? Is it a kind of metanarrative, is it a composing of different narrative moments?  Allan Sekula: Very often my titling a particular work has an idiomatic logic: Fish Story has a vernacular resonance, particularly in American English where a...

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memory
photography
exhibition
fiction
Allan Sekula

Current Texts

Malte Fabian Rauch

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” ABO

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Current Texts

Jean-Luc Nancy

Ζένοι και Zah και Zuh

αποξενωμένοι αποκλίνοντες από ποιο αόρατο οικείο;

Ξένος extraneus του έξω όχι του μέσα (intraneus) όχι της οικίας unheimlich όχι του heim όχι της εστίας της άλλης πλευράς της πόρτας – fores, foreigner όχι υπερβολικά στον ρυθμό, odd όχι κανονικός όχι συνήθης σπάνιος ιδιάζων seltsam παράξενος besherat γενναίος κομψός απρόβλεπτος στραβός verschroben

λοξός αναπάντεχος εξαιρετικός εκπληκτικός

Είναι εκπληκτικό πόσες λέξεις εκφράσεις τρόπους διαφορετικούς έχουμε για να μιλήσουμε για τον παράξενο ξένο τον ausländer τον έξω από τη χώρα και όχι «pays avec nous» όπως λέγαμε κάποτε στη Γαλλία «c’est un pays à moi» για να πούμε κάποιος από το χωριό μου τη γειτονιά μου την περιοχή μου την πατρίδα μου

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Current Texts

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟

Etrange (غریب) در زبان فرانسوی از ریشه لاتین extraneus به معنای «خارجی» در برابر داخلی intraneus است. آنچه از خانه نیست unheimlich (امر غریب) از heim (خانه) نیست از منزل نیست در طرف دیگر دروازه fores است foreigner (خارجی)، خارج از ضرب و زیادی است odd (زاید) ناهنجار نامعمول نادر کمیاب تکی است seltsam (عجیب) عجیب و غریب besherat رشید ظریف پراوهام خمیده‌‌ verschroben (بد خو) خمیده شگفت‌ آور خارق‌ العاده حیرت‌ انگیز

غنای زبان امری غریب است در کلماتی که به نحوی حولِ مفهومِ غریبِ خارجی ausländer شکل گرفته اند خارج از کشور «هم‌‌ کشور ما» همانگونه که پیش‌ تر در فرانسه می‌ گفتیم «این کشور من است» برای اشاره به کسی از روستای من محله‌ ی من استان من ولایت من

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News + Events

ESPACE DIAPHANES Berlin:<br>Œuvres d’art, la revue, les livres

ESPACE DIAPHANES Berlin:
Œuvres d’art, la revue, les livres

New releases

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Antonin Artaud, Stephen Barber (ed.): A Sinister Assassin

Wolfgang Brückle (ed.), Fred Truniger (ed.): Display, Distribute, Disrupt

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

THINK ART? THINK ART!

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Topics

Observing the Spectator
- gaze
- optical illusion
- mirror
- observer
The Subject of Capitalism
- cognitive capital
- subjectification
- capitalism
- migration
Autofiction—Metafiction
- Theory of fiction
- memory
- fiction
- autobiography
- autofiction
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- chromatics / colour science
- image and imagery
- color
- semiotics and semiology
- monochrome

Current Texts

Simon Critchley

Punk’s raptures are mystical.

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer.

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Current Texts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

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documenta
political aesthetics
Poland
concentration camp
ethics
gift
migration
contemporary art
propaganda
National Socialism

Current Texts

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Books

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Antonin Artaud, Stephen Barber (ed.): Radio Works: 1946–48

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Liliana Gómez (ed.): Performing Human Rights

»Self-censorship is the worst.«

Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

We land in Copenhagen after only an hour’s sleep the previous night. We travel a long way by subway to a residential area on the edge of the city: large houses with gardens and woodland, almost no one around. We finally find the address we’ve been given. We approach the house through the garden, and we’re immediately in a film by Lars von Trier: a black limousine, a small shack that might be an office with a computer and piles...

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