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Autofiction—Metafiction
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A Walk With Allan Sekula Through His Exhibition. ›Polonia and Other Fables‹ OPEN
ACCESSIn: Dirck Linck (ed.), Michael Lüthy (ed.), Brigitte Obermayr (ed.), Martin Vöhler (ed.), Realismus in den Künsten der Gegenwart
But how can an art in the name of the specific be the lingua franca of globalized art?
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Ursprünge
Reiner Schürmann
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“Obsessed with buffering”. Questions to Tom McCarthy ABO
In: Tom McCarthy, Recessional—Or, the Time of the Hammer
Writing is this kind of not writing. Writing is the thing that makes writing impossible.
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How I Try to Sell Myself to the Americans
In: Reiner Schürmann, Origins
And what if there were a machine for doing away with memory? That one would carry in an attaché case and plug in beside one’s bed at night? A machine to stifle the shoutings to which I have never given voice?
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Kracauer. Fotoarchiv
Maria Zinfert (ed.)
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How I Learned to Clench My Fists
In: Reiner Schürmann, Origins
Born too late to see the war, too soon to forget it. Rocked by events which I didn’t experience.
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Recessional—Or, the Time of the Hammer ABO
Tom McCarthy