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Humanities

One plus one equals other
One plus one equals other

Dieter Mersch

Epistemologies of Aesthetics

We  identified ‘showing’—rather than ‘saying’—as the primary self-manifestation of the aesthetic. By ‘showing’ and ‘manifestation’ we do not mean expression, but exhibition and exposition. Wherever works work only with aisthēta and relevance is drawn from perceptions or things and their materiality—from every nuance of coloring, from the way in which objects are framed or combined, from the position of a detail, from the interval between two notes and their microtonal succession or arrhythmic placement, from any hesitation of physical feeling,...
  • artistic research
  • Think Art
  • epistemology
  • aesthetics
  • discourse analysis
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Topics
Current Texts
Blood!

Ines Kleesattel

Blood!

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  • body
  • feminism
  • subjectification
  • gaze
  • gender
  • art history
  • painting

 

Epistemologies, Aesthetics, Politics
Epistemologies, Aesthetics, Politics

Marie-Luise Angerer (ed.), Bernd Bösel (ed.), ...

Timing of Affect

For many years now, the time of affect has been a major issue in the humanities, sciences, art and media. Affect stands here for feelings, emotions, processes of affection, for movements of the bodies, for a missing time – with one word: for a broad range of ideas and discursive contexts and histories. Timing of Affect assembles contributions from different disciplines – from philosophy to film, music, sound, media and art, through to technology, computation and neurology – to explore...
  • media theory
  • aesthetics
  • affects
  • epistemology
  • body
Current Texts
Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • postmodernism
  • art theory
  • realism
  • re-enactment
  • transhumanism
  • artistic practice