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Devika Singh

is Curator, International Art at Tate Modern. A member of the Observatoire: Globalisation, Art et Prospective at the Institut national d’histoire de l’art and an associate scholar at the Centre of South Asian Studies of the University of Cambridge, she was previously Smuts Research Fellow at Cambridge and a fellow at the Centre allemand d’histoire de l’art in Paris. She holds a PhD from the University of Cambridge and was a visiting fellow at the French Academy at Rome, the Freie Universität, Berlin, and the Kluge Center of the Library of Congress, Washington D.C. Her writing has appeared in exhibition catalogues, specialised magazines, and in the journals Art History, Modern Asian Studies, Journal of Art Historiography and Third Text. In 2017 she guest edited an issue of MARG. Singh curated the India pavilion of Dubai Photo Exhibition (2016), Gedney in India at the CSMVS, Mumbai (2017) and Duke University (2018), Planetary Planning at the Dhaka Art Summit (2018), and Homelands: Art from Bangladesh, India and Pakistan at Kettle’s Yard, Cambridge (2019).
Other texts by Devika Singh for DIAPHANES
  • art theory
  • conversation
  • photography
  • contemporary art