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Katerina Genidogan

is a doctoral candidate within the Research Training Group “Cultures of Critique” at Leuphana University Lüneburg. Her research lies at the intersection of postcolonial, black, environmental and critical development studies, and focuses on the relationship between the reconceptualization of racial difference since the mid nineteenth century, the environment, and modes of governance. Fieldwork in Ghana and Nigeria has been part of her research process. She has completed a BA in Business Administration with a major in Financial Management at Athens University of Economics & Business, a Graduate Diploma in Contemporary Art History and a MRes in Curatorial/Knowledge within the Visual Cultures Department at Goldsmiths University of London. She has taught the modules “Chronobiopolitics” and “Raciality, Ecology & Blackness” at Leuphana University. Recent publications include “Race Re(con)figurations through Speculative and Environmental Futurity,” View. Theories and Practices of Visual Culture (2021), and “Slow Cinema as an Ethico-Aesthetic Paradigm,” Counterfield Publication (2020).
Other texts by Katerina Genidogan for DIAPHANES
  • digital media
  • digital culture
  • art
  • capitalism
  • ecology
  • cultural critic
  • economics