Ute Holl teaches media studies at the University of Basel, focusing on aesthetics, epistemology, and the theory of audiovisual, acoustic, and electroacoustic media, as well as on visual and sound archives of the Global South. Recent publications include: “‘Intelligence with an Agency’: Psychotechnik, Maschinenlernen und die Frage nach Entscheidungsmacht,” in Die Macht des Psychotechnischen, ed. Bernd Bösel and Jutta Weber (Campus, 2025); “R. W. Fassbinders filmische Historiografie: Zum Melodramatischen in Angst essen Seele auf,” in Rainer Werner Fassbinder: Kino der Subversion (Schüren, 2026); “Nicht angemessen: Verhalten unter Bedingungen von KI,” in Zeitschrift für Medienphilosophie, ed. Beate Ochsner and Markus Rautzenberg (forthcoming). Together with Peter Ott, she has made documentary and fiction films: Traum Wolken Off Exil / Dreams, Clouds, Off, Exile (2017); and Amitié (2024).