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(p. 184 – 192)
Karin Harrasser
is professor for Cultural Theory at the The University of Art and Design Linz/Austria. She studied German Literature and History in Vienna. Her dissertation was on »Computerhystories« and her second book is concerned with the theoretical figure »Prosthesis«. She worked as a researcher at the University of Vienna, at Humboldt-Universität Berlin and at the Academy of Media Arts Cologne and was also responsible for a range of curatorial and arts-projects, e.g. at the NGBK Berlin and at Kampnagel Hamburg. Together with Elisabeth Timm, she is the editor of Zeitschrift für Kulturwissenschaften.
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Menschen & Andere. Einleitung in den Schwerpunkt
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 4
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Stay where the trouble is. Vinciane Despret und Donna Haraway im Gespräch mit Karin Harrasser und Katrin Solhdju
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 4
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The Untouchables. Choreographie einer Begegnung
In: Karl-Josef Pazzini (ed.), Andrea Sabisch (ed.), Daniel Tyradellis (ed.), Das Unverfügbare
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Vorwort
In: Lars Friedrich (ed.), Karin Harrasser (ed.), Daniel Tyradellis (ed.), Joseph Vogl (ed.), Figuren der Gewalt
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Die Figur
In: Lars Friedrich (ed.), Karin Harrasser (ed.), Daniel Tyradellis (ed.), Joseph Vogl (ed.), Figuren der Gewalt
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Die Herausgeberin
In: Lars Friedrich (ed.), Karin Harrasser (ed.), Daniel Tyradellis (ed.), Joseph Vogl (ed.), Figuren der Gewalt
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Einleitung: Technowissenschaften
In: Kathrin Peters (ed.), Andrea Seier (ed.), Gender & Medien-Reader
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Wirksamkeit verpflichtet. Herausforderungen einer Ökologie der Praktiken
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 14
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Die Zukunft des Körpers
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
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»Werdet parahuman!«. Im Gespräch mit Karin Harrasser und Johannes Paul Raether
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
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Tu muerto
In: Ute Holl (ed.), Claus Pias (ed.), Burkhardt Wolf (ed.), Gespenster des Wissens
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"Become parahuman"
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
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Sweet Trap, Dangerous Method. Musical Practice in the Jesuit Reductions of Chiquitos and Moxos in the Eighteenth Century
In: Ulrike Bergermann (ed.), Monika Dommann (ed.), Erhard Schüttpelz (ed.), Jeremy Stolow (ed.), Nadine Taha (ed.), Connect and Divide
The current outlook into the future seems to be largely informed by resignation and anxiety. The understandable scepticism which utopian visions of the future are met with today and the crisis ridden present give rise to nostalgic resorts to seemingly reliable ideas. The book The Present of the Future investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. How do they create potentials for change and for the imagination of possible futures beyond modernistic idealisms and romanticist projections into remote times? The Present of the Future is the result of the third annual theme of the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.
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9–11
Editors' Preface
Kerstin Stakemeier, Susanne Witzgall
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12–26
In Search of the Future. Introduction and Epilogue
Susanne Witzgall
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27–32
Reality of the Future and Future Reality
Elena Esposito
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33–40
"Plans will not help realise a projected future"
Elena Esposito, Nora Schultz
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41–47
B-Levels
Nora Schultz
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48–55
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56–70
May You Live in Interesting Times
Andri Snær Magnason
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71–78
"Cassandra is powerless"
Wolfgang Lucht, Andri Snær Magnason
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79–90
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91–95
"Each time I believe that things are predictable I get sick"
Frédéric Neyrat, Kerstin Stakemeier, ...
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96–108
Why the News Anyway
Jan St. Werner
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109–117
"You cannot order scientific results like a pizza"
Hans-Jörg Rheinberger, Jan St. Werner
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118–129
Negotiating the Future. Speculative Design between Claim and Reality
Karianne Fogelberg
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130–136
"To explore the speculative is urgent and necessary"
Kerstin Stakemeier, Susanne Witzgall, ...
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137–147
Infra-structuring the Future: Catastrophe, Crisis, Critique
Claudia Aradau
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148–156
"The imaginary of catastrophe is actually incorporated more and more into the evereyday" ABO
Claudia Aradau, Daniel van der Velden
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157–167
Catastrophic Reproduction: Science Fiction on the Far Side of the Subject
Kerstin Stakemeier
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168–174
I'm that Angel
Tyler Coburn
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175–183
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184–192
The Future of the Body
Karin Harrasser
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193–202
Augmented Embodiments
Johannes Paul Raether
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203–212
"Become parahuman"
Karin Harrasser, Johannes Paul Raether
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213–218
The Authors
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219–222
Table of Figures
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223–224
Colophon