Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Humanities

Aesthetic Practices in the Global South

Liliana Gómez (ed.)

Performing Human Rights

How arts perform human rights and how aesthetic engagements with human rights violations testify to art’s capacity to create alternate worlds.

This book aims to show how arts perform human rights and how aesthetic engagements with human rights violations testify to art’s capacity to create alternate worlds, which with their creative modes do provide alternate semantics to the legal failures and the state’s official silence. This book shares the conviction that, after all, artistic articulations allow ethico-aesthetic considerations of “questions that are broader than the law and the institutions of the political, precisely because they are prior to law … and...

violence
justice
collective memory
Human rights
Think Art

Current Texts

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
ACCESS DE FR

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them… OPEN
ACCESS DE

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
ACCESS

Current Texts

Dieter Mersch

Digital disrupture

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

OPEN
ACCESS DE

Current Texts

Nothing is at home

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

ABO

Modernism
art theory
art
phenomenology
aesthetics

Current Texts

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

OPEN
ACCESS

linguistics
semiotics and semiology
communication
communication media
science fiction
utopia

New releases

Marcia Sá Cavalcante Schuback (ed.), David Payne (ed.): Breaking Grounds

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Hauke Branding (ed.), Julian Volz (ed.): Radical Desires

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Haus der Kulturen der Welt (ed.): Deberlinization

Observing the Spectator

Anthology

Kunst und Gesellschaft

Die Ausstellung ist in den letzten Jahrzehnten zu einem der erfolgreichsten kulturellen Ereignisse avanciert. So zumindest scheint es angesichts der Vielzahl neuer Museumsbauten, der globalen Verbreitung sogenannter Biennalen und dem zunehmenden Maß an medialer und diskursiver Aufmerksamkeit, das der bildenden Kunst zuteil wird. Worin aber gründet dieser Erfolg? Welche gesellschaftliche...

Carolin Meister (ed.), Dorothea von Hantelmann (ed.)

Die Ausstellung

Anthology

Das Gedächtnis des Auges in Kunst und Wissenschaft

Nachbilder sind optische Phänomene, mit denen das Sehen sich selbst in den Blick nimmt. Seit der Empirismus im 18. Jahrhundert die Subjektivität der Wahrnehmung erschloss, traktierten Wissenschaftler, Künstler und Philosophen ihre Augen, um sie nicht als Empfänger, sondern als Erzeuger von Licht- und Farbphänomenen zu erfahren. Als im buchstäblichen Sinne verkörperte...

Werner Busch (ed.), Carolin Meister (ed.)

Nachbilder

Anthology

Involving the Beholder

The invention of depicting figures participating in an event — nameless bystanders, beholders, and onlookers — marks an important change in the ways artists addressed the beholder of the artworks themselves. This shift speaks to a significant transformation of the relationship between images and their audience. The public in the...

Beate Fricke (ed.), Urte Krass (ed.)

The Public in the Picture / Das Publikum im Bild

Anthology

Zu Jacques Lacans Bildtheorie

»Weil das Bild jener Schein ist, der behauptet, er sei das, was den Schein gibt, steht Platon auf gegen die Malerei als eine Aktivität, die mit der seinen rivalisiert. Dieses andere ist das ›klein a‹, um das ein Kampf geführt wird, dessen Seele die Augentäuschung ist.« (Jacques Lacan) Der materialreiche Band...

Claudia Blümle (ed.), Anne von der Heiden (ed.)

Blickzähmung und Augentäuschung

Topics

Color and meaning
Who is afraid of Red, Yellow, Blue…?
- color
- chromatics / colour science
- image and imagery
- monochrome
- semiotics and semiology
Choreographing multitudes
- social movements
- protest movements
- crowd
- social networks
- swarm model
- crowd psychology
THINK ART? THINK ART!
The Subject of Capitalism
- migration
- capitalism
- cognitive capital
- subjectification

Current Texts

Mehdi Belhaj Kacem

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death.

ABO FR DE

Current Texts

Barbara Basting

Based on a brilliant trick

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure.

ABO DE

Current Texts

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
ACCESS

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
ACCESS DE

Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved. ABO DE

Books

Sabine Gebhardt Fink (ed.), Andrej Mircev (ed.): Revolving Documents—Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art

Mario Schulze (ed.), Sarine Waltenspül (ed.): String Figures

Yann Le Bras, Jean Paul Mongin: The Death of Socrates

Ulrike Bergermann (ed.), Monika Dommann (ed.), ...: Connect and Divide

The biggest bite out of the fruit of Knowledge

Claus Pias (ed.)

Cybernetics

“To refuse to think without immediately thinking that it is man who is thinking.”

Although aspects of cybernetics can be traced back to various points in history, the proceedings of the so-called Macy Conferences, which have been edited for this volume, represent its modern foundational document. Held between 1946 and 1948 under the cumbersome title “Circular Causal and Feedback Mechanisms in Biological and Social Systems,” the papers delivered at these conferences were soon thereafter, at least as of 1949, referred to as contributions to cybernetics. Sponsored by the Josiah Macy, Jr. Foundation (which was...