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Humanities

"Curriculum Vitae in Pictures“

Maria Zinfert (ed.)

Kracauer. Photographic Archive

Kracauer. Photographic Archive presents  largely unknown material from the estate of the German-American theorist of film and photography, ­Siegfried Kracauer and his wife and assistant Elisabeth, known as Lili. The single and group portraits, still lifes, street scenes and landscapes collected in this book all come from the estate of Siegfried Kracauer. Published here for the first time, they are an extensive and representative selection from the enlargements, contact sheets and rolls of film originally archived by Lili Kracauer. With...
  • biography
  • archive
  • 20th century
  • 1950s
  • 1930s
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • utopia
  • communication media
  • semiotics and semiology
  • communication
  • linguistics
  • science fiction

 

Topics
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • color
    • image and imagery
    • monochrome
    • semiotics and semiology
    • chromatics / colour science
  • Autofiction—Metafiction

    Autofiction—Metafiction

    • autofiction
    • memory
    • autobiography
    • fiction
    • Theory of fiction
  • Observing the Spectator

    Observing the Spectator

    • gaze
    • optical illusion
    • observer
    • mirror
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • potentiality
    • literary studies
    • poetology of knowledge
    • experiment
    • epistemology
    • idleness
    • poetics
    • history of knowledge
    • astonishment
    • ignorance and non-knowledge
Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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  • political aesthetics
  • contemporary art
  • aesthetics
  • critical theory
  • morals

 

The world is all that is the case
The world is all that is the case

Françoise Armengaud, Annabelle Buxton

Wittgenstein’s Rhinoceros

The two young men meet up at the Cambridge railroad station. While waiting for the train, they browse the shelves of the station bookshop. All of a sudden, Wittgenstein grabs Pinsent’s arm: “Look at the title of this book!” “What a coincidence!” exclaims Pinsent, “It is perfect for you!” Both start to laugh. They purchase the novel of a famous English detective novelist entitled A Rhinoceros in the Library. Wittgenstein is very excited. “David, listen carefully,” he says to Pinsent. “I already have three things...
  • logics
  • thinking
  • Wittgenstein
  • young readers
Current Texts
Blood!

Ines Kleesattel

Blood!

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  • body
  • gender
  • gaze
  • feminism
  • painting
  • subjectification
  • art history