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Essays on Photography by Siegfried Kracauer
Essays on Photography by Siegfried Kracauer

Siegfried Kracauer, Philippe Despoix (ed.), ...

The Past's Threshold

There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter ­Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...
  • media theory
  • film
  • photography
  • Siegfried Kracauer
  • History of photography
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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  • aesthetics
  • morals
  • critical theory
  • contemporary art
  • political aesthetics

 

»… Consistently Abused and Forced…«
»… Consistently Abused and Forced…«

Kati Kroß

Christoph Schlingensief's »Freakstars 3000«

When non-disabled artists such as Jérôme Bel or Christoph Schlingensief in their productions work with actors who, in hegemonic discourse, are referred to as disabled, they almost invariably face criticism over the exploitation and voyeuristic exhibition of these people. Bel’s Disabled Theater anticipated such reservations and took a good deal of wind out of its critics’ sails by having the performers themselves raise these issues on stage and report on their families’ reactions to the piece. Nevertheless, the question whether...
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  • aesthetics
  • Jérôme Bel
  • performing arts
  • identity
  • disability studies
Current Texts
Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • art theory
  • postmodernism
  • transhumanism
  • realism
  • re-enactment
  • artistic practice