User account

Marie Glassl, Ines Weizman, ...: »In der Lücke zwischen den Bildern«
»In der Lücke zwischen den Bildern«
(p. 53 – 108)

Marie Glassl, Eyal Weizman, Ines Weizman

»In der Lücke zwischen den Bildern«
Eyal und Ines Weizman im Gespräch mit Marie Glassl

  • violence
  • photographic images
  • Human rights
  • forensic science
  • war experience
  • History of photography

My language
English

Selected content
English

Change
Marie Glassl

Marie Glassl

Marie Glassl seeks to connect dramaturgy, curation, and critical publishing through the concept of translation. 
A particular focus of her work are the materialities and materializations of linguistic subjectivities and Italy's early feminist tradition. 

She is the artistic program director of DIAPHANES literature and editor of the works of Alice Ceresa and the series aktion_fiktion, a multilingual series of poetic-performative interventions. As co-editor of DIAPHANES magazine, she also presents a series of interviews with current figures in art and discourse. Since 2024, she has been the artistic director of the ongoing interdisciplinary exhibition and research project On Wasted Grounds. 

She regularly writes and speaks on literary and aesthetic issues at venues including the Academy of Arts in Berlin, the Royal College of Arts in London, the Migros Museum in Zurich, the HfK in Bremen, and Bolzano Danza. In her performative practice, she collaborates with transdisciplinary artists, institutions, and museums such as Emma Waltraud Howes, Constanza Macras/Dorkypark, and the Venice Biennale. 

Marie Glassl translates poetry and political theory from Italian and English, including texts by Ines & Eyal Weizman, Roberto Esposito, Allison Grimaldi Donahue, and NourbeSe Philip.
Alice Ceresa, Marie Glassl (ed.): Der Tod des Vaters
b€ 18,00
Marie Glassl (ed.): Bildbeschreibung
b€ 10,00 pOpen access
Other texts by Marie Glassl for DIAPHANES

Ines Weizman

born in Leipzig, Germany, is the Head of PhD Programme at the School of Architecture, Royal College of Art in London. Since 2022 she is also Professor of Architectural Theory and Design at the Academy of Fine Arts, Institute for Art and Architecture in Vienna. She is the founding director of the Centre for Documentary Architecture (CDA), an interdisciplinary research collective of architectural historians, filmmakers, and digital technologists. Among her most recent publications are Dust&Data: Traces of the Bauhaus across 100 Years (2019), Documentary Architecture/ Dissidence through Architecture (2020). In 2023 she was the commissioner of the Lithuanian Pavilion at the Venice Architecture Biennale where she also presented an installation on Joséphine Baker and Modern Architecture across the Colonised Arab World. Her most recent book Joséphine Baker across the Colonial Modern will be published in 2024.
Ines Weizman: The Architectural Casino
bPrebook
Eyal Weizman, Ines Weizman: Before & After
b€ 12,00 p€ 15,00
Other texts by Ines Weizman for DIAPHANES

Eyal Weizman

is the Founder and Director of Forensic Architecture and professor of Spatial and Visual Cultures at Goldsmiths, University of London, where in 2005 he founded the Centre for Research Architecture. In 2007, with Sandi Hilal and Alessandro Petti, he established the architectural collective DAAR in Beit Sahour/Palestine. He is the author of numerous books and has held positions in universities worldwide including Princeton, ETH Zurich and the Academy of Fine Arts in Vienna. He is a member of the Technology Advisory Board of the International Criminal Court (ICC) and is on the board of directors of the Centre for Investigative Journalism (CIJ). In 2019, he was elected life fellow of the British Academy. For his work Eyal and Forensic Architecture an MBE for ‘services to architecture’ (2020), the London Design Award (2021), the Mark Cousins Theory Award (2024), the Peabody Award for interactive media, the European Cultural Foundation Award for Culture, and the RIBA Charles Jencks Award.
Matthew Fuller, Eyal Weizman: Investigative Ästhetik
bPrebook
Eyal Weizman, Ines Weizman: Before & After
b€ 12,00 p€ 15,00
Other texts by Eyal Weizman for DIAPHANES
Eyal Weizman, Ines Weizman: Vorher und Nachher
b€ 14,00

Eyal Weizman, Ines Weizman

Vorher und Nachher
Die Architektur der Katastrophe

Translated by Marie Glassl

Softcover, 108 pages

Katastrophen, zerbombte Städte, politische Umstrukturierungen ganzer Länder: »Bildkomplexe« humanitärer und ökologischer Umwälzungen dokumentieren die Welt als Abfolge von Katastrophen. Wer aber entscheidet über die Darstellung von Ereignissen, bestimmt die Pixelanzahl unserer Bildwelten, herrscht über Zirkulation oder Zensur von Bildern?

 

Eyal und Ines Weizman lesen die Geschichte des Vorher-Nachher-Bildes von der Fotografie des 19. Jahrhunderts bis zu zeitgenössischen Satellitenbildern und entdecken in ihnen jene Lücke, in der sich nicht nur das verheerende Ereignis verbirgt: Es sind die Menschen selbst, die aus den Bildern zu verschwinden drohen. Treten die humanitäre Arbeit und die Rekonstruktionen von Kriegsverbrechen, bei denen doch Menschen, deren Schicksale und Rechte im Zentrum stehen müssten, heute paradoxerweise in eine post-humane Phase ein? Wie kann die Lücke zwischen den Bildern Ort einer kritischen Gegen-Lektüre statt Zeichen der Auslöschung werden?

 

Im exklusiven Gespräch mit Marie Glassl vertiefen Eyal und Ines Weizman entlang aktueller Arbeiten die Frage nach der Geschichte, Gegenwart und Zukunft des Paradigmas des Vorher-Nachher-Bildes.

Content