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Black Panther is an American, not an African story
Black Panther is an American, not an African story

A.K. Kaiza

An Annotated History of Wakanda

The movie Black Panther, which has become the most successful superhero movie of all time, imagines Wakanda in a very specific and maybe even slightly emancipatory way. Black Panther, now the king of the concealed super-state, faces his current archenemy Killmonger, who wants to distribute arms to the Global South for an uprising against neoliberal imperialism. The scene that introduces Erik “Killmonger” Stevens, the antagonist to Ryan Coogler’s newly imagined hero, takes place in a museum. Killmonger (played by a mesmeric...
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Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • communication media
  • linguistics
  • communication
  • science fiction
  • semiotics and semiology
  • utopia

 

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Marcus Quent

Belief in the world is what we most lack.

It was Gilles Deleuze who in various contexts underlined that what we most lacked was “belief in the world.” The odd remark appears, for example, in a conversation in 1990 with the Italian Marxist Antonio Negri about revolutionary emergence and the political force of minorities. In this dialogue Negri examines his interlocutor’s thought in the light of the “problem of the political,” which connects the various stages of the philosopher’s intellectual biography. Deleuze’s remark here is the reprise of a motif that would be familiar to readers of his second book on cinema, which appeared in 1985, in which Deleuze contends that the “power of modern cinema” is based on its ability to “give us back” our lost “belief in the world.”

At the end of the conversation Negri asks his dialogue partner about the possibility of present-day processes of subjectivization. After initially emphasizing the “rebellious spontaneity” of such processes, Deleuze...

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A dialogue that doesn’t cover up its traces
A dialogue that doesn’t cover up its traces

David Graeber

Anarchy—In a Manner of Speaking

There’s endless literature on the mob or “the madness of crowds”, and most people do assume that any kind of crowd is necessarily going to be, collectively, stupider than any one of the individuals that make it up. That’s why most people accept the legitimacy of authoritarian leadership. If this were really true, it stands to reason that if you took even any one random person out of the crowd and made that person dictator, the crowd would make better...
  • political theory
  • community
  • anarchy
  • resistance
  • anarchism