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The Architecture of Disaster
Ines Weizman, Eyal Weizman
Before & After
History is increasingly presented as a series of catastrophes. The most common mode of this presentation is the before-and-after image—a juxtaposition of two photographs of the same place, at different times, before and after an event has taken its toll. Buildings seen intact in a “before” photograph have been destroyed in the one “after.” Neighborhoods bustling with activity in one image are in ruins or under a layer of foulwater in the next. Deforestations, contaminations, melting icebergs and drying rivers...
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Anthology
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)
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Anthology
Zu einer Poetik des Seriellen
Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)
Noch einmal anders
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“Every human body is an old civilization”
Susanne Witzgall
“Every human body is an old civilization”
Susanne Witzgall: One common point in your texts in that both of you describe migration as an incomplete process, as a practice that is not completed with the arrival at the destination, but perhaps even only finds its starting point, its beginning, there. For instance, you Christian Kravagna, have written in your essay that many migrants develop a practice of travelling back and forth, almost like commuting, a process in which there is no definitive home that one can return...
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