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The Dance of All Things

Georges Didi-Huberman, Laurent Mannoni, ...

Movements of Air

“The excessive leaps of our gaseous form around a halt...”

It would be futile to resist the feeling that the marvelous curls of smoke, photographed by Étienne-Jules Marey between 1899 and 1901, first elicit from us. We have the impression of witnessing a pure beauty in the process of making, unmaking, and remaking itself incessantly before our eyes. It is a supreme flow—images of flow and a flow of images all at once—from which approximately fifty instants have been randomly “drawn,” all formed differently and likewise admirable. Such simple beauty...

history of media
history of science
History of photography
artistic research
photography

Current Texts

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Current Texts

Elena Vogman

Ornamentation is the body of our thought

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

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Current Texts

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

THINK ART? THINK ART!

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Topics

The Subject of Capitalism
- capitalism
- cognitive capital
- migration
- subjectification
Observing the Spectator
- mirror
- optical illusion
- gaze
- observer
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- chromatics / colour science
- color
- monochrome
- image and imagery
- semiotics and semiology
Autofiction—Metafiction
- memory
- fiction
- Theory of fiction
- autofiction
- autobiography

Current Texts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

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sculpture
museum
colonialism
contemporary art
colonial history
Africa

Current Texts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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Current Texts

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Books

Maria Zinfert (ed.): Kracauer. Fotoarchiv

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Empty Diagonal

Mehdi Belhaj Kacem, Antoine d’Agata

Diagonale du vide

A ghostly France: Emptiness and explosiveness behind the lines.

“If there is an artist capable of making these vacuums speak, it is d’Agata. To show what is not visible, to make present what can not be represented. There is a visual 'spectralism' about Antoine. It is about recording the spasms of humanity that is committing suicide, which has access to all the information needed to know what it is doing, and yet does nothing to revert the trend. We documented this suicide during a week of shared driving, of...