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Fiction

"Curriculum Vitae in Pictures“

Maria Zinfert (ed.)

Kracauer. Photographic Archive

Kracauer. Photographic Archive presents  largely unknown material from the estate of the German-American theorist of film and photography, ­Siegfried Kracauer and his wife and assistant Elisabeth, known as Lili. The single and group portraits, still lifes, street scenes and landscapes collected in this book all come from the estate of Siegfried Kracauer. Published here for the first time, they are an extensive and representative selection from the enlargements, contact sheets and rolls of film originally archived by Lili Kracauer. With...
  • 1930s
  • biography
  • archive
  • 20th century
  • 1950s

 

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Jochen Thermann

I really should not have hired him…

I really should not have hired him, but he seemed like he could fill in for my regular cook. Schneider had called in sick it seemed like it could drag on, so I took him on without too much fuss. He was a stocky, small man who could speak only broken German. At the end of the day, business had to go on, and the guests were hungry.

The complex relationships that you maintain often are unclear, even to yourself. So too the code that goes along with them. It is hard to decipher. It is only when things go off the rails that you recognize how well the self-regulation mechanisms were working: how Schneider would organize his purchases, how he would talk to the staff, how he put together the ingredients, and how truly he was interested in keeping business humming.

On the surface, the assistant chef worked in the same...

 

To end GOD’S JUDGEMENT
To end GOD’S JUDGEMENT

Antonin Artaud, Stephen Barber (ed.)

Radio Works: 1946–48

Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The ­Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...
  • radio
  • literature
Current Texts
Language can never be private

Johannes Binotto

Language can never be private

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  • Shakespeare
  • subjectification
  • gender
  • language
  • feminism
  • theatre / drama
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The limp, voluptuous decadence of the place

Bruce Bégout

The limp, voluptuous decadence of the place

  • contemporary literature
  • obsession
  • urbanism
  • avant-garde
  • short stories
  • Venice