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Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolai Evreinov: »The Storming of the Winter Palace«

Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.)

Nikolai Evreinov: »The Storming of the Winter Palace«

Softcover, 320 pages

PDF, 320 pages

DE

Historic event, reenactement, fake

In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.

Content
  • History of photography
  • revolution
  • Russia
  • historic documents

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English

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Inke Arns

Inke Arns, PhD, director of Hartware MedienKunstVerein (HMKV) in Dortmund (www.hmkv.de), has worked internationally as an independent curator and theorist specializing in media art, net cultures, and Eastern Europe since 1993. After living in Paris (1982-1986) she studied Russian literature, Eastern European studies, political science, and art history in Berlin and Amsterdam (1988–1996) and in 2004 obtained her PhD from the Humboldt University in Berlin with a thesis focusing on a paradigmatic shift in the way artists reflected the historical avant-garde and the notion of utopia in visual and media art projects of the 1980s and 1990s in (ex-)Yugoslavia and Russia. She curated many exhibitions, most recently a.o. at Haus der Kulturen der Welt / House of World Cultures (HKW, Berlin). Author of numerous articles on media art and net culture, and editor of exhibition catalogues. www.inkearns.de
Other texts by Inke Arns for DIAPHANES

Igor Chubarov

is a philosopher and professor at Moscow State University. He is a senior research fellow in the Institute of Philosophy at the Russian Academy of Sciences and editor of the Logos magazine. He is the author of works on modern art and early-Soviet proletarian art, the history of Russian philosophy, theories of power, the theory of machines and mediatheory and on Evreinov.
Sylvia Sasse

Sylvia Sasse

is a professor of Slavic studies at the University of Zurich and co-founder of the ZKK (Centre for Arts and Cultural Theory), member of ZGW (Center "History of Knowledge"), and co-editor of "Geschichte der Gegenwart" (www.geschichtedergegenwart.ch).

Other texts by Sylvia Sasse for DIAPHANES
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