Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Arts

The Architecture of Disaster

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

photography
photographic images
history of media
History of photography
forensic science
war

Fiction

Antonin Artaud, Stephen Barber (ed.)

Jiji-Crycry

Me, Antonin Artaud, I am my son, my father, my mother, and me.

avant-garde
drugs
literature
poetry

Discourse

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

history of architecture
memory
Middle East
Israel

Humanities

Hauke Branding (ed.), Julian Volz (ed.)

Theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

desire
Postcolonial Studies
contemporary art
orientalism
contemporary art
queer theory

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

feminism
body
mother figure
aesthetics
gender
father figure
queer theory
contemporary art
motherhood

Magazine Online

News + Events

diaphanes_net

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Kevin B. Lee (ed.): The Future of Survival

Allison Grimaldi Donahue: The History of Breathing

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

THINK ART? THINK ART!

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

“Obsessed with buffering”

In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy ("Remainder", "C", "Satin Island")... ABO

Tom McCarthy

Recessional—Or, the Time of the Hammer

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

OPEN
ACCESS

identity
Video art
performance art
human–animal communication

Current Texts

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

OPEN
ACCESS

communication
science fiction
linguistics
semiotics and semiology
communication media
utopia

Current Texts

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

On Memory Atrophy

How can we remember the way we used to remember? OPEN
ACCESS

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

New releases

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Marie Sophie Beckmann (ed.), Petra Löffler (ed.): Sub(e)merging: Experiences, Practices and Politics from below

Arts

Artaud’s Last Unpublished Work

Antonin Artaud, Stephen Barber (ed.)

Watchfiends and Rack Screams

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Foreword by John Zorn.

I had a dream last night, scrambled, yes indeed, for a scrambled dream it sure was scrambled. But so meaningful on the other hand, so meaningful. Jean Dequeker was dragging himself along the earth with short and truncated legs, and he said: Am I a beast, a pebble, a branch or a meat stall? But after all what is a tree? What is a tree? Madame Dequeker was behind a cage with her stomach pressed against the flange of this...

poetry
literature
avant-garde
autobiography
Modernism

Arts

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
ACCESS

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
ACCESS

Arts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

Evil
film d'auteur
contemporary art
film
cinema

Arts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
ACCESS

colonialism
museum
colonial history
sculpture
contemporary art
Africa

Authors

Books

Antonin Artaud, Stephen Barber (ed.): Radio Works: 1946–48

Maria Zinfert (ed.): Kracauer. Fotoarchiv

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

Fiction

Born too late to see the war, too soon to forget it.

Reiner Schürmann

Origins

Why this past? Why is this past mine? A past which I did not even know?

"This is a book about the power that a past War holds over a German growing up in the 1950s and 1960s: born too late to see that war and too early to forget it. The narrative shows how painfully public events — the shadows, rather, of events gone by — intrude upon a life and shape it. The English translation appears at a moment when most of the key issues have radically changed. Germany has signed what amounts to a...

emigration
autobiography
memory
homosexuality
1968

Fiction

Dodie Bellamy

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats. OPEN
ACCESS

Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

The limp, voluptuous decadence of the place

Bruce Bégout

I’m not going to talk about my profession here. ABO FR DE

Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
ACCESS

war experience
war

Authors

Books

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Mehdi Belhaj Kacem, Antoine d’Agata: Diagonale du vide

Yan Marchand, Vincent Sorel: Diogenes the Dog-Man

Miriam Henke, Jérôme Meyer-Bisch: Lao-Tzu, or the Way of the Dragon

Discourse

Matrices porteuses – Surrogacies

DIAPHANES Magazine No. 11

This issue explores practices of human and non-human substitution.

What claims the place of the nuclear family in the face of hybrid kinships and social freezing? What could new elective kinships be in times of chatbots and pseudonymisation? Is this the time for surrogate mother tongues and extra-human rhetorics of surrogation? Sophie Lewis claims a gestational communism and hunts our grannies. Barbara Vinken reflects on spiritual motherhood, Luciana Parisi on human automata and gendered proxies. For Zuzana Cela, language is a foreign body that can be invaginated. Werner Hamacher strolls...

mother figure
gender
body
contemporary art
motherhood

Discourse

Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
ACCESS DE

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
ACCESS DE

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Discourse

Simon Critchley

Punk’s raptures are mystical.

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer.

ABO

Discourse

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
ACCESS DE

ceremony
Africa
colonialism
ritual
performance
spiritism
body
feminism

Authors

Books

Maria Zinfert (ed.): Kracauer. Photographic Archive

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Elisabeth Bronfen: Mad Men, Death and the American Dream

Antonin Artaud, Stephen Barber (ed.): Artaud 1937 Apocalypse

Humanities

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Humanities

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
ACCESS DE

Zoran Terzić

The programs “sense” how the clients function, but not because AI is becoming more human—rather because clients now function as generically as programs. OPEN
ACCESS DE

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Andreas L. Hofbauer

The yoke of being, noteworthy dis-position

Anyone inclined to describe hunters and gatherers as poor, would be advised to understand them as free. OPEN
ACCESS DE

Humanities

Malte Fabian Rauch

Nothing is at home

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

ABO

art
aesthetics
phenomenology
Modernism
art theory

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
ACCESS DE

Authors