Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Johanna Went
I remember (Johanna Went)
Simon Critchley
Learning to Eat Time with One’s Ears
Donatien Grau, James Spooner
Afropunk Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Zoran Terzić
The Grand Generalization
Mengia Tschalaer
Queer Spaces
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Kai van Eikels
Do in What's Doing, Democracy in!
Sandra Frimmel
I Hate the Avant-garde
Zoran Terzić
The Tautomaniac
Mehdi Belhaj Kacem
Tomb for Guy Debord
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Sina Dell’Anno
Oratio Soluta
Zoran Terzić
Political Transplants
A.K. Kaiza
An Annotated History of Wakanda
Helmut J. Schneider
How Distant Can My Neighbor be?
Barbara Basting
Der Algorithmus und ich 5
Dietmar Dath
Your Sprache Never Was
Maël Renouard
The Twilight of Classification?
Eric Baudelaire
Abecedarium
Jurij Pavlovich Annenkov
A Diary of my Encounters
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Ann Cotten
Dialogs
Stephen Barber
I remember (Stephen Barber)
Donatien Grau, Pierre Guyotat
Conversation
Jean-Luc Nancy
Je me souviens (Jean-Luc Nancy)
¡ Wenn sie im Flugzeug freie Plätze sehen, dann nicht darum prügeln !
¡ Auf gar keinen Fall darf...
1. Tell the Earth, “I love you. I can’t live without you."
2. At first you may feel embarrassed...
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.