Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Simon Critchley
Learning to Eat Time with One’s Ears
Johanna Went
I remember (Johanna Went)
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Donatien Grau, James Spooner
Afropunk Philology
Zoran Terzić
The Grand Generalization
Claire Fontaine
Towards a Theory of Magic Materialism
A. L. Kennedy
What is an Author?
Kai van Eikels
Do in What's Doing, Democracy in!
Zoran Terzić
The Tautomaniac
Mehdi Belhaj Kacem
Tomb for Guy Debord
Sandra Frimmel
I Hate the Avant-garde
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Sina Dell’Anno
Oratio Soluta
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Maria Filomena Molder
The Alms of Time
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
A.K. Kaiza
An Annotated History of Wakanda
Marcus Quent
Elapsing Time and Belief in the World
Dieter Mersch
Digital Criticism
Maël Renouard
The Twilight of Classification?
Dietmar Dath
Your Sprache Never Was
Eric Baudelaire
Abecedarium
Artur Zmijewski
Conversation on “Glimpse”
Mário Gomes
The Poetics of Architecture
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Andreas Reihse
LISTMANIA: GUANAJUATONOVIEMBRE
Barbara Basting
Der Algorithmus und ich 5
Damian Christinger
Huelsenbeck (Book)
Dorothee Scheiffarth
THE MOST BEAUTIFUL CLOUD NAMES
Der Titel ist Programm. Dieses »in der hauptsache von 1962 bis 1967« geschriebene Werk ist nicht nur ein megalomanisch zusammengeclustertes Durchverdauen der bewegenden Theorien der späten 60er Jahre (Linguistik, Kybernetik,...
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
In Jugoslawien wurde viel publiziert und wenig weggeworfen. So hatte man die Möglichkeit, in staatlichen Galerien und Museen Ausstellungskataloge und Kunstzeitschriften für Pfennige zu schießen. Einen besonderen Platz in meinem...
L’œuvre d'art n’a pas d’idée, elle est idée
Vonceptually sensory bills of fare, enumerations and selections…
Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.