Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Simon Critchley
Learning to Eat Time with One’s Ears
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Donatien Grau
A Life in Philology
Claire Fontaine
Towards a Theory of Magic Materialism
A. L. Kennedy
What is an Author?
Mengia Tschalaer
Queer Spaces
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Zoran Terzić
The Grand Generalization
Barbara Basting
Der Algorithmus und ich 6
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Zoran Terzić
The Tautomaniac
Alexander García Düttmann
Cold Distance
Hans Block, Moritz Riesewieck
What we don’t see
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Barbara Basting
Der Algorithmus und ich 6
Jean-Luc Nancy
Zah Zuh
Barbara Basting
Der Algorithmus und ich 5
Michele Pedrazzi
The Next Bit. Corpo a corpo con l’ignoto
Joseph Morder
Une Trinite de la Memoire
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Barbara Basting
Der Algorithmus und ich 3
Wolfgang Plöger
After This Comes That Before That Comes This
Dietmar Dath
Your Sprache Never Was
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Rolf Bossart, Milo Rau
On Realism
Artur Zmijewski
Conversation on “Glimpse”
Eric Baudelaire
Abecedarium
Ann Cotten
Dialogs
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Andreas Reihse
LISTMANIA: GUANAJUATONOVIEMBRE
Jean-Luc Nancy
Je me souviens (Jean-Luc Nancy)
Discoteca Flaming Star
Ich erinnere mich… (Discoteca Flaming Star)
Peter Ott
The Monotheistic Cell Or Reports from Fiction
I remember during the frozen Tokyo winter of 1997: I took long walks in the dead of night through the...
Ich erinnere mich an mein Exemplar von Alles kurz und klein, das weg ist, verschwunden! – wer erinnert sich, es...
A Little Paris Nightmare
I loved Paris, even as a little boy, long before I lived there. I was like Pinocchio wandering about in some strange Land of Toys. I...
L’œuvre d'art n’a pas d’idée, elle est idée
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
Vonceptually sensory bills of fare, enumerations and selections…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.